The Man of Steel returns to the screen for a delightfully vibrant comic book adventure in Superman, opening in Prague and cinemas worldwide this weekend.
In terms of a straightforward adventure movie packed with dinosaur thrills, it’s the series’ best entry since Joe Johnston’s Jurassic Park III.
The killer doll from 2023’s M3GAN is resurrected to fight a weaponized AI robot gone rogue in M3GAN 2.0, opening in Prague and cinemas worldwide
This long-awaited sequel isn’t quite as innovative as the original 2002 film, or as intense as its 2007 sequel, but it works on deeper, more theological levels.
This new slasher film with a strong dash of comedy boasts standout scenes of bloody horror and laugh-out-loud moments, even if it doesn’t live up to Tucker and Dale.
This feature directorial debut from Succession co-creator Jesse Armstrong boasts the same kind of car-crash-fascinating personalities, but the film gets increasingly irritating the longer we spend time with them.
This one hews close to the original in both story and design—and fully recaptures its magic, resulting in a better update than anything Disney’s recent slate of live-action remakes.
This John Wick spinoff starts on shaky footing with an exposition-heavy first half, but an eye-opening final 40 minutes of nonstop slam-bang action delivers on its franchise promise.
This prototypical Wes Anderson pastiche has all of the pleasures of the filmmaker’s style in abundance—but also an aloof story that never fully draws us in.
This innocuous and generally likable return to the Karate Kid franchise nicely bridges the gap between the original films with Pat Morita, 2010’s reboot, and Netflix’s Cobra Kai
This R.L. Stine adaptation perfectly captures the 1980s slasher movie aesthetic of films like Prom Night, but there’s one problem: those movies were never all that good in the first place.
This fast-paced adventure benefits from peppy direction by Guy Ritchie and charismatic performances from a cast led by John Krasinski and Natalie Portman that results in a largely agreeable experience.
This Tom Cruise blockbuster rates right alongside its predecessor as a finely-tuned, breathless piece of blockbuster filmmaking, and sends the M:I series out on a high note.
This sixth entry in the franchise and first since 2011’s Final Destination 5 benefits from an engaging narrative that shakes up the usual story and some creative murder set pieces.
This adaptation of Stephen King’s short story turns into an engagingly offbeat comedy punctuated by sudden, sometimes shockingly gruesome scenes of violence.
Slick direction from Andy Tennant and an especially engaging lead performance by Isabelle Fuhrman make this a nifty little thriller that never wears out its welcome.
Despite an interesting premise and a terrific cast, this murky mess feels like it was cobbled together from a bare minimum of available elements.
A heavy dose of wink-wink comedy, over-the-top gore effects, and a pair of appealing lead performances make this one a lot of fun, even if the horror elements are largely undercut.
This trippy, beguiling film unfolds with dream logic and casts a spell over the audience while keeping us at arm’s length for the duration.
If this is Marvel’s answer to The Suicide Squad, it feels a lot closer to the much-derided 2016 version than James Gunn’s 2021 revision.
This modest but engaging feature from director Duncan Skiles (The Clovehitch Killer) thrives on the dynamic between its characters and two compelling lead performances.
This action film from the director of The Raid features a contrived and often illogical narrative but enough brutal slam-bang action to warrant a recommendation for genre fans.
Despite an innovative premise, solid effects work, and standout scenes of terror, this one devolves into an unusually tedious sit that is unlikely to satisfy fans of the game.
Thanks to a character-driven narrative and first-rate performances from Affleck and Bernthal, this one exceeds expectations and delivers a more satisfying experience than the original.