This striking, noir-inflected thriller from writer-director Kirill Serebrennikov partially plays like a postwar echo of The Zone of Interest
This sequel with Meryl Streep and Anne Hathaway scores points for becoming a genuine continuation rather than a retread of the 2006 original.
This feature-length panic attack approaches parenting struggles with the unnerved intensity of Uncut Gems and features striking direction from Mary Bronstein.
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This story of man through the eyes of an animal immediately recalls Robert Bresson’s Au Hasard Balthazar, but Pálfi maintains a bitter, unsentimental approach that lands with force.
There’s a neat mummy monster briefly glimpsed in the first five minutes of this movie, but the writer-director abandons this initial promise for some far more generic possession movie tropes.
This sequel to 2023’s smash hit The Super Mario Bros. Movie is packed to the gills with references that will delight longtime fans, but it’s a noticeable step down in storytelling terms.
This intimate portrait of one of Czechoslovakia’s most renowned Olympic heroes from director Jakub Červenka sometimes struggles to connect on dramatic terms, but its technical credentials are largely first-rate.
This gormless sequel essentially the same movie as the first Ready or Not, but a whole lot less satisfying.
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This disarmingly frank depiction of a BDSM dynamic between two emotionally mismatched partners scores points for its rugged authenticity and strong central performances.
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What might have played as a gripping contained thriller in the mold of The Guilty becomes something far more overwhelming through filmmaker Kaouther Ben Hania’s unconventional approach.
Despite a narrative that largely ditches the moral ambiguity that made the BBC series so compelling, this return to the world of Peaky Blinders should please fans.
This adaptation of Andy Weir’s novel keeps the science grounded but contains such emotional moments of first contact that it resonates on the same crowd-pleasing level as E.T.
A gorgeous new 4K restoration of the film approved by director Mamoru Oshii premiered at last year’s Cannes Film Festival and opens in Prague cinemas this weekend.
This trenchant satire from director Gore Verbinski with an ingratiating central performance from Sam Rockwell manages to be incredibly timely, laugh-out-loud funny, and impressively staged and designed on a tight budget.
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This overstuffed hodgepodge doesn’t seem to work on even the most basic levels of narrative storytelling, but there’s great beauty in many of its individual pieces.
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This masterfully-crafted film from exiled Iranian director Jafar Panahi flawlessly blends nail-biting suspense, bitter political satire, and moments of laugh-out-loud comedy.
The shockingly amateurish presentation and laughably contrived script serve as a throwback to slasher films from the 1980s in all the worst ways.