Joan Cusack’s Jessie leads Pixar’s latest adventure as Toy Story 5 tackles tech addiction, purpose, and play in a heartfelt but predictable sequel.
Backed by an endearing Paul Rudd in a role that plays perfectly to his strengths, this latest film from Once director John Carney is a real crowd-pleaser.
While certainly not without interest, Disclosure Day is a missed opportunity from a filmmaker who has spent much of his career exploring humanity’s fascination with life beyond our world.
This slick Guy Ritchie thriller features an engrossing 25-minute sequence devoted to planning a high-risk extraction and another 25 minutes watching that plan unfold under fire,
This no-nonsense procedural feels like the kind of heist film they just don’t make anymore, and doesn’t let the energy flag for a second of its expedient 96-minute runtime.
This frustratingly blunt and toothless satire is glossy, occasionally amusing, but ultimately unable to bridge the gender gap.
This polished romantic comedy boasts some appealing performances and genuine chemistry between leads Jennifer Lopez and Brett Goldstein.
This heartwarming biopic of Scottish Tourette syndrome advocate John Davidson is blessed with compassionate performances and steady handling from writer-director Kirk Jones.
This goofball update of the Mattel toy line hits just the right balance of action and humor, but a complete void of story or character development turns it into an endurance test.
The first installment in the franchise since 2013’s Scary Movie 5 and first from the Wayans family since 2001’s Scary Movie 2 is packed with rat-a-tat gags, many of which fall flat—but there are enough genuine laughs here to make this a welcome return, and the best in the franchise since the 2000 original.
This latest feature from Oscar-winning writer-director Jan Svěrák (Kolya) is heartfelt and at times riotously funny, and represents another solid showcase for the filmmaker’s deft blending of serious subject matter and bitter irony.
This ferociously acted, structurally confident horror film from debut writer-director Curry Barker pushes its central premise to deeply uncomfortable extremes.
NOW STREAMING ON: “It’s like describing a dog to someone who has never seen a dog, and then asking them to draw it.” A furniture
This throwback to highway horror films like The Hitcher, Joy Ride, and Jeepers Creepers boasts some outstanding scenes of terror and a pair of engaging lead performances.
This Star Wars adventure riffs on Lone Wolf and Cub in the same way that George Lucas took inspiration from Kurosawa, and occasionally soars as it attempts to shed five decades of franchise baggage.
NOW STREAMING ON: Scenes of a family drifting toward separation in rural Iceland are wistfully captured in The Love That Remains, which premiered at last
NOW STREAMING ON: The legendary British heavy metal band gets a straightforward big-screen portrait in Iron Maiden: Burning Ambition, now playing in Prague cinemas and
This third feature from writer-director Damian McCarthy (Caveat, Oddity) continues his fusion of gothic horror and crime-thriller mechanics, but refines it into his most confident work yet.
This direct follow-up to the 2021 reboot makes a clear effort to course-correct for franchise devotees, leaning harder into game lore, character fan service, and elaborate fight sequences.
This striking, noir-inflected thriller from writer-director Kirill Serebrennikov partially plays like a postwar echo of The Zone of Interest
This sequel with Meryl Streep and Anne Hathaway scores points for becoming a genuine continuation rather than a retread of the 2006 original.
This feature-length panic attack approaches parenting struggles with the unnerved intensity of Uncut Gems and features striking direction from Mary Bronstein.
NOW STREAMING ON: Michael Jackson escapes his father’s oppressive thumb to find international stardom—and nothing bad ever happens after that—in Michael, a glitzy new biopic
This story of man through the eyes of an animal immediately recalls Robert Bresson’s Au Hasard Balthazar, but Pálfi maintains a bitter, unsentimental approach that lands with force.