This nifty little Irish chiller from director Damian Mc Carthy is superbly creepy, though the mystery aspects of the movie are disappointingly routine.
This allegorical horror film lacks the brutality of some of director Alexandre Aja’s earlier films, but makes up for it with eerie cabin-in-the-woods atmosphere.
This haunting sequel may not offer the subversive thrills of its predecessor, but the sheer quality of filmmaking on display makes it one worth catching in the cinema.
This captivating documentary from director Jan Zajíček, based on the book by Vladimir 518, tells the story of Czechoslovakia through the lens of its landmarks.
This expertly-crafted film delivers on entirely different terms than the 2022 Danish film that it is based on, becoming an tight thriller in the vein of the director James Watkins’ Eden Lake.
This update doesn’t come close to matching the dazzling creative vision of Burton’s original film, but offers plenty of fun thanks to Michael Keaton and Catherine O’Hara.
Despite first-rate use of Prague locations and solid lead performances by Bill Skarsgård and FKA twigs, this version of The Crow stumbles in its revenge movie storytelling.
An FBI hunts a supernatural Zodiac-style killer in this offbeat horror film that features a high creep-out factor and unforgettable supporting turn from Cage.
A young woman comes to realize that everything may not be okay on Epstein Island in this first-rate directorial debut from actress Zoë Kravitz.
The true story of how Czechoslovak Radio broadcast through the 1968 Warsaw Pact Invasion is recounted in this handsomely-mounted drama from Jiří Mádl.
This gruesome outer space haunted house movie knows what it is and makes no apologies, and should meet or exceed most expectations.
A gruff NASA launch commander and sprightly new public relations director butt heads in this loony new film that plays into popular conspiracy theories.
Lupita Nyong’o and Joseph Quinn star in this unexpectedly deep Quiet Place prequel that doesn’t skimp on the monster horror.
Oscar winners Cate Blanchett and Jamie Lee Curtis fail to bring much life to this slickly-produced but dreadfully dull adaptation of the video game series.
Hartnett plays a serial killer who must escape FBI agents combing through 30,000 fans at a pop diva’s concert in Shymalan’s best film since Split.
This third Deadpool film matches the profane quality of its predecessors despite a move to Disney, but suffers the same multiverse fatigue that plagues most recent superhero movies.
There’s little connection to the earlier film here beyond the general premise, but this one is surprisingly well-scripted and packed with plenty of exciting scenes of devastating tornados.
This throwback to sleazy 1980s sex thrillers has plenty of visual appeal and scene-stealing work by Halsey and Kevin Bacon, but a lackluster narrative sinks it.
This fourth entry in the Bad Boys series is the best since Michael Bay’s 1995 original.
A meek knife salesman finds himself stuck in a rural diner with a pair of ruthless bank robbers in this tightly-wound thriller from debut director Francis Galluppi.
Lopez plays a data analyst who travels to an alien planet to kill an AI android in this surprisingly dull sci-fi film from San Andreas director Brad Peyton.
This deliberately-paced crime drama from director Stefano Sollima features outstanding performances from Favino, Toni Servillo, and Adriano Giannini.
This sprawling epic may not be the jolt of adrenaline that was Fury Road, but offers a wider scope with rich world-building and its own many rewards.
Despite minimal bloodletting, this one is unrelentingly grim and entirely terrifying throughout, even if there’s a palpable lack of originality in the storytelling.