
‘September 5’ movie review: the 1972 Munich massacre through the eyes of ABC Sports
The story of the 1972 massacre at the Olympic Games in Munich is told through the eyes of the sports reporters that broadcast it to America.
The story of the 1972 massacre at the Olympic Games in Munich is told through the eyes of the sports reporters that broadcast it to America.
Engaging performances by lead Robert Pattinson and first-rate visual filmmaking from director Bong Joon-ho make this one worth seeing despite some narrative issues.
A pair of lethal snipers separated by a massive chasm protect the Earth from demons escaping the gates of Hell in this film from Sinister director Scott Derrickson.
Almost a beat-for-beat redux of Captain America: The Winter Soldier, this grounded political thriller is a welcome return to Earth for the MCU after years of multiverse stories.
Dumped with little fanfare on Prime Video, this dueling weddings comedy from director Nicholas Stoller (Forgetting Sarah Marshall) is more fun that you might expect.
This sprawling, authentic-feeling (but entirely fictionalized) epic is one of the best films of 2024, meticulously crafted by director Corbet.
A young couple’s romantic weekend retreat turns into a nightmare in this truly original genre-bender that deserves to be seen with as little advance knowledge as possible.
The curse of lycanthropy is a metaphor for intergenerational trauma in Wolf Man, director Leigh Whannell’s disappointing follow-up to 2020’s The Invisible Man.
This evocative biopic from director and co-writer James Mangold (Walk the Line) doesn’t reinvent an especially well-worn genre, but its flavorful performances and dedication to the music make it a lot of fun to watch.
The first film in more than 10 years from lead actress Cameron Diaz is as disposable as most of these direct-to-streaming family-action-romance-comedies.
This largely by-the-numbers action thriller boasts a reasonably compelling story and some fun performances, but shoddy visual effects sink it.
Some campy practical creature effects and efficient low-budget filmmaking from director Stephen C. Miller keep Werewolves from being too much of a drag.
Bill Skarsgård, Lily-Rose Depp, Nicholas Hoult, and Willem Dafoe star in this seductively terrifying version of the classic vampire tale, which was filmed in Prague last year.
The Spanish director’s first English-language feature boasts a pair of engaging performances in the lead roles, but only registers as a minor work within his oeuvre.
Aaron Taylor-Johnson and Russell Crowe star in this baffling adaptation of the Marvel comic book character that wastes no less than five Spider-Man supervillains.
Fast & Furious franchise stars Luke Evans and Sung Kang star in this diverting action film from the Luc Besson factory.
Utilizing minimal exposition and character development, this streamlined monster movie delivers the goods when it comes to the action.
Gorgeously hand-crafted, this rich but approachable spectacle breathes new life into a franchise that has seen diminishing returns.
This low-energy but mildly engaging comedy-drama gets a huge boost from Michael Keaton’s immensely empathetic central performance.
Terrifier 3 is easily the most accomplished Terrifier yet, at least in pure filmmaking terms, as Art hacks and slashes his way through the holidays.
This eye-popping sequel packs plenty of sword and sandal spectacle into its narrative but struggles to tell a consistently compelling story, and lives in the shadow of its Oscar-winning predecessor.
There isn’t much ingenuity or storytelling ambition in this film from the director of Palm Springs, but in there stead a special kind of down and dirty charm.
While initially breezy and appealing, Greedy People turns sour during a climax that feels far too mean-spirited for the lightweight film that preceded it.
A knowing sense of humor and some appealing performances can’t save the inherent cynicism in this would-be holiday blockbuster