“It’s like describing a dog to someone who has never seen a dog, and then asking them to draw it.” A furniture warehouse manager whose
This throwback to highway horror films like The Hitcher, Joy Ride, and Jeepers Creepers boasts some outstanding scenes of terror and a pair of engaging lead performances.
This Star Wars adventure riffs on Lone Wolf and Cub in the same way that George Lucas took inspiration from Kurosawa, and occasionally soars as it attempts to shed five decades of franchise baggage.
The legendary British heavy metal band gets a straightforward big-screen portrait in Iron Maiden: Burning Ambition, now playing in Prague cinemas and select markets worldwide.
This third feature from writer-director Damian McCarthy (Caveat, Oddity) continues his fusion of gothic horror and crime-thriller mechanics, but refines it into his most confident work yet.
This direct follow-up to the 2021 reboot makes a clear effort to course-correct for franchise devotees, leaning harder into game lore, character fan service, and elaborate fight sequences.
This striking, noir-inflected thriller from writer-director Kirill Serebrennikov partially plays like a postwar echo of The Zone of Interest
This sequel with Meryl Streep and Anne Hathaway scores points for becoming a genuine continuation rather than a retread of the 2006 original.
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This story of man through the eyes of an animal immediately recalls Robert Bresson’s Au Hasard Balthazar, but Pálfi maintains a bitter, unsentimental approach that lands with force.
There’s a neat mummy monster briefly glimpsed in the first five minutes of this movie, but the writer-director abandons this initial promise for some far more generic possession movie tropes.
This sequel to 2023’s smash hit The Super Mario Bros. Movie is packed to the gills with references that will delight longtime fans, but it’s a noticeable step down in storytelling terms.
This intimate portrait of one of Czechoslovakia’s most renowned Olympic heroes from director Jakub Červenka sometimes struggles to connect on dramatic terms, but its technical credentials are largely first-rate.
This gormless sequel essentially the same movie as the first Ready or Not, but a whole lot less satisfying.
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What might have played as a gripping contained thriller in the mold of The Guilty becomes something far more overwhelming through filmmaker Kaouther Ben Hania’s unconventional approach.
Despite a narrative that largely ditches the moral ambiguity that made the BBC series so compelling, this return to the world of Peaky Blinders should please fans.
This adaptation of Andy Weir’s novel keeps the science grounded but contains such emotional moments of first contact that it resonates on the same crowd-pleasing level as E.T.
This trenchant satire from director Gore Verbinski with an ingratiating central performance from Sam Rockwell manages to be incredibly timely, laugh-out-loud funny, and impressively staged and designed on a tight budget.
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This overstuffed hodgepodge doesn’t seem to work on even the most basic levels of narrative storytelling, but there’s great beauty in many of its individual pieces.
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