This trenchant satire from director Gore Verbinski with an ingratiating central performance from Sam Rockwell manages to be incredibly timely, laugh-out-loud funny, and impressively staged and designed on a tight budget.
A young mother attempts to connect with the five-year-old daughter she has never held, and falls in love along the way, in Reminders of Him,
This overstuffed hodgepodge doesn’t seem to work on even the most basic levels of narrative storytelling, but there’s great beauty in many of its individual pieces.
A young artist becomes a witness to—and participant in—Vladimir Putin’s rise to power in post-communist Russia in The Wizard of the Kremlin, an adaptation of
The King begins his Vegas residency in EPiC: Elvis Presley in Concert, a new concert documentary largely comprised of previously-unseen footage opening in Prague and
The shockingly amateurish presentation and laughably contrived script serve as a throwback to slasher films from the 1980s in all the worst ways.
This playfully droll triptych varies in tone and quality from segment to segment, and not every one hits the right mark, but two out of three ain’t bad.
Cold Storage manages to be both shocking and funny without selling out on either genre, and rates alongside films like Tremors, Slither, and Attack the Block among the top of its class.
While this one never comes close to the Michael Mann classic, it benefits from appealing performances and gorgeous location cinematography on the streets of L.A.
If Czech filmmakers Věra Chytilová or Jan Švankmajer ever adapted the work of the Brontë sisters it might look something like 2026’s Wuthering Heights.
NOW STREAMING ON: A stoic man’s isolated existence on an abandoned island off Scotland is threatened when he’s detected by British secret services in Shelter,
This schlocky horror film pairs some bravura scenes of gore and terrific creature effects work with its can’t-miss premise, but a generic screenplay packed with one too many slasher tropes drains away a lot of the fun.
This indie horror film from YouTuber-turned filmmaker Mark Fischbach is intense and richly atmospheric, if a little long in the tooth, and outdoes similar Hollywood projects going for the same vibe
The worldwide theatrical release of this film has expectedly sparked a politically charged reaction, but there is genuine interest in an inside look at a figure who has largely remained out of the spotlight.
Vividly realized performances from Rachel McAdams and Dylan O’Brien and some eye-popping filmmaking gusto make this director Sam Raimi’s best film since 2009’s Drag Me to Hell.
This pared-back return to the franchise, a direct and largely faithful adaptation of 2001’s Silent Hill 2, looks great and boasts some excellent creature effects, and may please fans of the games.
The premise instantly draws us in, and solid execution maintains our interest for the majority of the movie, but a third act implosion sinks the whole enterprise.
This offbeat comedy with poignant undertones is greatly elevated by the collective strength of its colorful cast, and not only co-star Mikkelsen in an irresistible role.
This meditative horror film picks up right where its predecessor left off, and delivers an thoroughly engaging storyline that will appeal to those turned off by earlier flights of fancy