Nolan’s screenplay finds remarkable emotional depth in Homer’s ancient text, transforming a legendary adventure into a deeply human story about the impossible struggle to return to the person one once was.
Evil spirits possess a family mourning the death of a son and brother at an isolated country estate in Evil Dead Burn, opening in Prague
This assured debut from Australian writer-director Adrian Chiarella distinguishes itself through its specific focus on homosexuality as both lived experience and socially constructed curse.
This love letter to early cinema is frequently inspired, occasionally overstuffed, and ultimately split between cinephile delight and familiar franchise fatigue.
Supergirl takes a refreshing break from the usual superhero tropes to deliver something more like Mad Max: Fury Road, but the character work is sketchy, the themes are muddled, and the visual presentation is a murky mess.
Joan Cusack’s Jessie leads Pixar’s latest adventure as Toy Story 5 tackles tech addiction, purpose, and play in a heartfelt but predictable sequel.
Backed by an endearing Paul Rudd in a role that plays perfectly to his strengths, this latest film from Once director John Carney is a real crowd-pleaser.
While certainly not without interest, Disclosure Day is a missed opportunity from a filmmaker who has spent much of his career exploring humanity’s fascination with life beyond our world.
This slick Guy Ritchie thriller features an engrossing 25-minute sequence devoted to planning a high-risk extraction and another 25 minutes watching that plan unfold under fire,
This no-nonsense procedural feels like the kind of heist film they just don’t make anymore, and doesn’t let the energy flag for a second of its expedient 96-minute runtime.
This frustratingly blunt and toothless satire is glossy, occasionally amusing, but ultimately unable to bridge the gender gap.
This polished romantic comedy boasts some appealing performances and genuine chemistry between leads Jennifer Lopez and Brett Goldstein.
This heartwarming biopic of Scottish Tourette syndrome advocate John Davidson is blessed with compassionate performances and steady handling from writer-director Kirk Jones.
This goofball update of the Mattel toy line hits just the right balance of action and humor, but a complete void of story or character development turns it into an endurance test.
NOW STREAMING ON: “It’s like describing a dog to someone who has never seen a dog, and then asking them to draw it.” A furniture
This throwback to highway horror films like The Hitcher, Joy Ride, and Jeepers Creepers boasts some outstanding scenes of terror and a pair of engaging lead performances.
This Star Wars adventure riffs on Lone Wolf and Cub in the same way that George Lucas took inspiration from Kurosawa, and occasionally soars as it attempts to shed five decades of franchise baggage.
NOW STREAMING ON: The legendary British heavy metal band gets a straightforward big-screen portrait in Iron Maiden: Burning Ambition, now playing in Prague cinemas and
This third feature from writer-director Damian McCarthy (Caveat, Oddity) continues his fusion of gothic horror and crime-thriller mechanics, but refines it into his most confident work yet.
This direct follow-up to the 2021 reboot makes a clear effort to course-correct for franchise devotees, leaning harder into game lore, character fan service, and elaborate fight sequences.
This striking, noir-inflected thriller from writer-director Kirill Serebrennikov partially plays like a postwar echo of The Zone of Interest
This sequel with Meryl Streep and Anne Hathaway scores points for becoming a genuine continuation rather than a retread of the 2006 original.
NOW STREAMING ON: Michael Jackson escapes his father’s oppressive thumb to find international stardom—and nothing bad ever happens after that—in Michael, a glitzy new biopic
This story of man through the eyes of an animal immediately recalls Robert Bresson’s Au Hasard Balthazar, but Pálfi maintains a bitter, unsentimental approach that lands with force.