‘Curse of the Golden Flower’ movie review: visually stunning epic

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Zhang Yimou’s visually stunning if emotionally overwrought period piece is slow-moving at first but eventually achieves the grandeur of a Shakespearian tragedy.

10th Century China, the inner workings of the royal family: the Emperor (Chow Yun-Fat) is slowly poisoning his wife, the Empress (Gong Li), who in turn is sleeping with stepson, Crown Prince Wai (Lie Ye).

Two other brothers add further complications: Prince Jai (Jay Chou), torn between mother and father, and youngest Prince Yu (Qin Junjie), stewing with jealousy for his brother.

This is a kind of attempt by the director to bring the carefully structured storytelling of his earlier classics with the melodrama and martial arts of his more recent films.

While it isn´t entirely successful – the film certainly doesn´t reach the height of Raise the Red LanternJu Dou or To Live – I did enjoy it more than Hero or House of Flying Daggers.

It´s absolutely gorgeous to look at, with outstanding use of color and fluid, lingering cinematography that perfectly matches the flow of the story.

I fear, however, that the film is destined to please no one; it does suffer in comparison to the director´s previous work with Gong Li, and fans of Hero are likely to be entirely disappointed by the slow story and near-complete lack of martial arts.

Still, a beautiful film well worth seeing in spite of its perceived flaws.

Curse of the Golden Flower

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Jason Pirodsky

Jason Pirodsky has been writing about the Prague film scene and reviewing films in print and online media since 2005. A member of the Online Film Critics Society, you can also catch his musings on life in Prague at expats.cz and tips on mindfulness sourced from ancient principles at MaArtial.com.

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