‘P.S. I Love You’ movie review: depressing Hilary Swank-Gerard Butler romance
P.S. I Love You comes manufactured to forcibly extract tears directly from the ocular cavities of its viewers
December 19, 2007
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P.S. I Love You comes manufactured to forcibly extract tears directly from the ocular cavities of its viewers
Lackluster doc presents a nice overview of John Lennon´s post-Beatles life, but glosses over most of it and offers nothing new
Hitman should’ve and would’ve premiered on a lesser medium if it weren’t based on the popular video game series of the same name
The Golden Compass takes us to a wonderful, original mythological world but fails to present any kind of isolated story to take us through
Rob Zombie’s wretched remake of the 1978 horror masterpiece reaches depths previously explored only by Van Sant’s Psycho.
Balls of Fury coasts along on oddball charm till it runs out of steam during a protracted and predictable ending
There’s a level of art in Beowolf sorely missing from most computer-generated animation
Julie Taymor’s Across the Universe is a wonderful low-key musical comprised solely of Beatles music
Michael Davis’ Shoot ‘Em Up is perfectly summarized by its title: 90 minutes of gunplay and dead bodies
Resident Evil: Extinction, the third entry in the increasingly tiresome series, no longer resembles its video game roots
The Heartbreak Kid doesn’t quite recapture some of the magic of the Farrelly Bros.’ There´s Something About Mary
The Last Legion is an awful mess concerning the journey of young Romulus Augustus, heir to the Roman throne
The stars of Robert Redford´s Lions for Lambs deliver with gusto
Sicko contains the strengths and weakness of Michael Moore’s other recent work
The Good Shepherd is richly detailed and expertly produced, if hellishly long and unbearably slow
Nicole Kidman stars in this modern remake of Invasion of the Body Snatchers
A stark Alaskan setting greatly elevates David Slade´s 30 Days of Night
The Seeker: The Dark is Rising is dull, plodding nonsense
Feast of Love feels insincere throughout despite a likable cast and efficient direction
Produced by Judd Apatow, Superbad makes American Pie look tame by camparison
Touching, heartfelt, irresistible; John Carney´s Once is anything but a traditional musical
A Mighty Heart is a documentary-style portrait of the kidnapping of, and search for, Daniel Pearl
The Brave One is almost a carbon copy of Michael Winner´s 1974 Death Wish, replacing Charles Bronson with Jodie Foster
Snow Cake is something like Garden State meets I Am Sam, starring Sigourney Weaver and Alan Rickman