
‘Pan’s Labyrinth’ movie review: Guillermo Del Toro’s fantasy masterpiece
Pan’s Labyrinth is a rich, beautiful, violent fairy tale for adults

Pan’s Labyrinth is a rich, beautiful, violent fairy tale for adults

An odd mix of psychological thriller and camp satire, Mr. Brooks offers some fleeting fun

In Next, Cage has fun in the role of Frank Cadillac, a Vegas magician who can see two minutes into the future

A towering, deservedly-praised Peter O´Toole performance is the sole reason to see Roger Michell´s Venus

Fracture reels us in with a can’t-miss premise only to slowly lose us over the course of the rest of the film

François Ozon´s Angel is an uneasy mixture of camp satire and lurid melodrama

The Simpsons Movie faithfully recreates a typical episode with a flair not seen since the series´ heyday

The Good Night is not without flaws but excels as a rare intelligent and realistic comedy-drama

Harry Potter and the Order of the Phoenix contains fits and spurts of the magic of the previous films but generally underwhelms.

Hostel sequel bores us to tears before giving us explicit scenes of young women strung up, tied down, and brutally tortured

The Pang Bros. first English-language film, The Messengers starts off promisingly but soon disintegrates

Factory Girl is a well-intentioned but tepid and underdeveloped look at Edie Sedgwick, whose life came to an untimely end at age 28.

David Lynch at his most unrestrained produces Inland Empire, a brilliant, mysterious, perversely fascinating film.

A listless sequel to the uninspired original, this Fantastic Four flick piles money on top of by-the-numbers script

A look at children´s author Beatrix Potter, Miss Potter is a smooth and affectionate tale though never a definitive portrait of its subject

They´re not even trying anymore, and yet Soderbergh’s Ocean´s Thirteen is the best film in the Danny Ocean series

Surprisingly, Tarantino´s Death Proof is a better standalone film than what was presented in Grindhouse

Live Free or Die Hard might disappoint die-hard fans of the series, but entertains on a grand scale

Curse of the Golden Flower is a visually stunning if emotionally overwrought period piece from director Zhang Yimou

Pathfinder is a murky, muddled, self-indulgent action flick from director Marcus Nispel

Shrek the Third is a passable but largely disappointing addition to the franchise

Because I Said So gives us layers of lackluster romance and broad comedy during an overlong 100 minutes

David Fincher´s Zodiac is a gripping, fascinating true-crime story

Hot Fuzz is Edgar Wright’s hilarious and highly entertaining follow-up to Shaun of the Dead