Be2Can Review: ‘On Body and Soul’ a Dreamy Hungarian Romance

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Two lonely souls from the fringes of society find each other through most unconventional means in On Body and Soul (original Hungarian title: Teströl és lélekröl), which has been brought to Prague courtesy of the Be2Can Film Festival and is currently screening with English subtitles at Kino Lucerna.

Eclectic Hungarian director Ildikó Enyedi might be best known to international audiences through her enchanting 1989 film My Twentieth Century, but its been 18 years since the release of her previous theatrical feature, Simon mágus

Her latest film, On Body and Soul, won the Golden Bear earlier this year at the Berlin International Film Festival and was recently selected as Hungary’s official submission to the 2018 Academy Awards. It might be a career highpoint. 

And it’s a brilliantly-directed, and surprisingly poignant, study of two outsiders and slaughterhouse employees who share a most unusual bond: a dreamworld that intimately connects them even though their waking lives remain rigidly isolated. 

Endre (Géza Morcsányi) is the company’s long-time financial director, with a crippled left arm that contributes to a ruffled disposition. After numerous relationships over the years that have resulted in an adult daughter, he has resigned himself to a twilight of loneliness.

Mária (Alexandra Borbély) is in many ways his polar opposite. The new quality inspector at the slaughterhouse, she’s a social outcast who can barely have a conversation with her colleagues,  is obsessed with order and rigidly follows the rules. 

But they share a most unusual connection, which is revealed after separate interviews with a corporate psychiatrist (Réka Tenki) following an incident in which “mating powder” has been stolen from the company: the previous night, they discover that they have shared the same dream. 

And they continue to share the same dream, vividly realized on the screen in gorgeous wintery nature photography from cinematographer Máté Herbai that charts the relationship between two deer, a possible parallel to their protracted relationship in reality. 

In what might be a caricature of autism in a lesser film, Borbély comes to dominate On Body and Soul in a carefully measured performance that draws our sympathy despite its chilly exterior. Her climactic scenes are deeply and unexpectedly moving. 

While it works both as dry corporate drama and deadpan comedy (and induces a number of laugh-out-loud moments), On Body and Soul ultimately becomes an unconventional, and surprisingly affecting, romance. 

Despite being set in a slaughterhouse, with brief scenes of cattle being killed (offscreen) and their carcasses graphically separated (onscreen), the film never feels exploitative; the animal scenes are thoughtfully and even poignantly handled, to match the film’s human drama. 

A disclaimer at the end of the movie informs that while the scenes are real, no animals were harmed for the making of the movie; the filmmakers instead captured the day-to-day operations of an actual slaughterhouse.

On Body and Soul

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Jason Pirodsky

Jason Pirodsky has been writing about the Prague film scene and reviewing films in print and online media since 2005. A member of the Online Film Critics Society, you can also catch his musings on life in Prague at expats.cz and tips on mindfulness sourced from ancient principles at MaArtial.com.

12 Responses

  1. As someone with Aspergers, ‘On Body and Soul’ deeply resonated with me, establishing a profound emotional connection. While not flawless, the film’s unapologetically harsh elements, notably in the unconventional slaughterhouse setting, occasionally feel gratuitously shocking. Yet, the film’s intrinsic beauty, crafted with good intentions and heart, shines through.

  2. I stumbled upon this film when it landed on Netflix, and it has solidified its place among my top ten favorites. What sets it apart is its ability to tell a compelling story without relying heavily on dialogue; instead, it weaves depth through nuanced nonverbal interactions and symbolism. The lead actors deliver incredible performances, skillfully opening the emotional threshold for the audience to truly feel the characters’ experiences. A standout element is the hauntingly beautiful song by Laura Marling on the soundtrack, which has become one of my all-time favorites since discovering this film. Don’t let the fact that it’s in Hungarian with English subtitles deter you, especially if foreign films aren’t typically your preference—this one is genuinely worth the watch!

  3. “Absolutely loved ‘On Body and Soul’! The dreamy atmosphere and poignant romance set against the backdrop of Hungary’s unique charm created a cinematic masterpiece. The film’s portrayal of love and connection resonated deeply. The performances, especially by Geza Morcsanyi and Alexandra Borbely, were captivating. The dream sequences added a surreal beauty, enhancing the overall viewing experience. Kudos to the director for crafting such an emotionally rich story. ‘On Body and Soul’ is a testament to Hungarian cinema’s brilliance, and I’m excited to explore more from this talented team. Definitely a must-watch for those who appreciate thought-provoking romance.”

  4. This was a good movie and unexpectedly touching, but the animal butchering scenes near the beginning are pretty tough to take. You have been warned.

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