Hitman should’ve and would’ve premiered on a lesser medium if it weren’t based on the popular video game series of the same name
Resident Evil: Extinction, the third entry in the increasingly tiresome series, no longer resembles its video game roots
Feast of Love feels insincere throughout despite a likable cast and efficient direction
In No Reservations, Catherine Zeta-Jones stars in a bland remake of Mostly Martha
Rush Hour 3 is capably handled and no worse than the previous entry but still fails to elicit any excitement
Pathfinder is a murky, muddled, self-indulgent action flick from director Marcus Nispel
You may be more forgiving if Joel Schumacher’s The Number 23 is only the 23rd variation of this twisty psychological thriller you’ve seen
The Hills Have Eyes II is an uninspired, unnecessary sequel to 2006´s uninspired, unnecessary remake
Director Andrea Arnold keeps the audience in the dark for much of the interminable Red Road
This modestly-entertaining Hannibal prequel, minus Anthony Hopkins, isn’t as bad as it’s reputation suggests