Despite an innovative premise, solid effects work, and standout scenes of terror, this one devolves into an unusually tedious sit that is unlikely to satisfy fans of the game.
This collaboration between Paul W.S. Anderson and George R.R. Martin is more Resident Evil than Game of Thrones, but holds a certain trashy appeal.
This largely by-the-numbers action thriller boasts a reasonably compelling story and some fun performances, but shoddy visual effects sink it.
Some campy practical creature effects and efficient low-budget filmmaking from director Stephen C. Miller keep Werewolves from being too much of a drag.
A knowing sense of humor and some appealing performances can’t save the inherent cynicism in this would-be holiday blockbuster
This Venom movie has some interesting things going on thematically, but fizzles out during an overblown anti-climax destined to please no one.
This low-budget UK indie ultimately fails to satisfy as either a traditional action movie or as deeper rumination on Stoic philosophy.
This fourth Hellboy movie adapts one of Mike Mignola’s most popular storylines, but lacks the budget and creativity of the previous films in the franchise.
A gruff NASA launch commander and sprightly new public relations director butt heads in this loony new film that plays into popular conspiracy theories.
Oscar winners Cate Blanchett and Jamie Lee Curtis fail to bring much life to this slickly-produced but dreadfully dull adaptation of the video game series.
Despite an electric performance from Margaret Qualley, writer-director Ethan Coen’s solo feature is only a mildly amusing trifle.
Despite a compelling turn from DeWanda Wise, this Blumhouse horror film fails to deliver the scares, though one has to admire its creativity.
Despite a terrific soundtrack, this family-approved biopic plays out completely flat, and lacks the vibrant spirit of its central character.
Despite a game cast and some proficient action sequences, Lift can’t stand up under the weight of its nonsensical script.
This final installment in the DCEU is totally DOA, and a listless and inconsequential goodbye to Jason Momoa’s Aquaman.
Sylvester Stallone and co. are back for more action, but this one is mostly the Jason Statham show, with solid support from Iko Uwais and Tony Jaa.
Corey Hawkins encounters more than he bargained for on a trip from Bulgaria to London that just happens to be carrying the Prince of Darkness.
Disney’s latest attempt to turn an amusement park ride into a film franchise lacks laughs or scares, and turns dreadfully dull despite a game cast.
This adaptation of King’s short story packs a few good scares, but what may have been terrifying in 1973 is almost laughably conventional fifty years later.
Despite a promising setup and a flavorful turn by Jane as a grizzled cowpoke, this B-movie actioner turns disappointingly routine.
Autobots battle Terrorcons with the help of the Maximals in order to save Earth and find a way home to Cybertron in this by-the-numbers prequel.
Grillo plays a father who murders everyone in his way to save his daughter in this violent but ultimately unconvincing cartel thriller.
A young girl struggles to come to terms with her pyrotechnic powers in this second adaptation of the Stephen King novel
While the lead characters generate little interest, some colorful supporting turns liven up this by-the-numbers thriller