Movie Review: ‘Overdrive’ a Cut-Rate Car Flick from the Luc Besson Factory
Scott Eastwood and Freddie Thorp star in this overly-routine thriller that primarily serves as a showcase for classic cars
June 16, 2017
Menu
Scott Eastwood and Freddie Thorp star in this overly-routine thriller that primarily serves as a showcase for classic cars
This fifth, and purportedly final, entry in Disney’s series of films based on the theme park ride is an especially bland and bloated blockbuster product
Guy Ritchie’s brazen new update mixes the Arthurian legend with a 1990s British gangster movie
Nic Cage reprises his infamous Deadfall persona in the new straight-to-streaming thriller
Mel Gibson gives his best performance in years as a bad dad gone good in this B-movie thriller
An online game of Truth or Dare turns deadly for teens seeking fame and money in this new thriller
Margot Robbie steals the show as Harley Quinn in this guilty pleasure expansion of the DC cinematic universe
The King of the Jungle returns to Africa to fight slavery in this misguided mashup of Tarzan and Blood Diamond
This lumbering would-be epic based on the popular video game franchise is the biggest, baddest blockbuster of 2016
Swashbuckling Alice must save The Mad Hatter from depression – by travelling through time – in this not-so-wonderful sequel
Dakota Johnson tests the waters of single life in this half-engaging comedy from Liz Tucillo’s bestselling book
Just what you’ve been waiting for: a sequel to Snow White, minus Snow White and the Seven Dwarfs
His dreams come to life… but also his nightmares; this horror film offers few scares, but is worth catching for its young star
Real-world horrors serves as the backdrop to young romance in this slick but misguided production
Blue Steel is back, but this good-looking sequel can’t sustain the original’s ridiculous charm
She was the Czech version of Marlene Dietrich, but this campy Third Reich melodrama doesn’t do her justice
2015’s English-language rehash of Secret in Their Eyes fails to come anywhere close to matching the original
Miss You Already is a cancer-themed weepie from Twilight director Catherine Hardwicke so obvious that even the title seems to be a spoiler
The ’31 Frankenstein recognizes the iconic central character as a tragic figure, and ultimately sympathizes with him. In Victor Frankenstein, he’s just a monster.
American Ultra has some inventive ideas – not in plotting, where the twists and turns are pretty predictable, but in the execution of its individual action scenes
The scariest moment in Sinister 2 doesn’t involve the Boogeyman, but rather an abusive father
Hitman: Agent 47 follows the titular character and a female target through a number of chases and gunfights
Home Care was one of two Czech films in competition at this year’s Karlovy Vary film festival, along with the far superior The Snake Brothers
Irrational Man is the classic Strangers on a Train setup, with the twist that there’s only one stranger, and he’s motivated by vigilantism