Avengers: Age of Ultron climaxes with a 30-minute sequence of our titular heroes bashing the hell out of an endless army of metalheads
Still Alice is a Disease-of-the-Week movie in which an A-list cast struggles with banal Lifetime TV material
The Second Best Exotic Marigold Hotel comes with high pedigree, bringing back most of the first film’s original players
Into the Woods is largely a drag despite lively performances and Stephen Sondheim’s wonderful music and lyrics
Flatliners meets Re-Animator in The Lazarus Effect, a dull, plodding, but mercifully short horror film from Blumhouse
Petr Jákl’s Ghoul was filmed in English with an international cast of actors, and shot in the Czech Republic, Ukraine, and California
Love, Rosie is an uneven and surprisingly crass comedy from director Christian Ditter based on the novel Where Rainbows End
Liam Neeson is back in action as retired ex-covert operative Bryan Mills in Taken 3, a preposterous but entertaining sequel
Ridley Scott’s Exodus: Gods and Kings is a misguided take on the Old Testament that succeeds in de-mythologizing the biblical story of Moses
Dumb and Dumber To is a belated sequel to the accurately-titled 1994 film that launched the career of writers-directors The Farrelly Brothers,
Annabelle is a follow-up to last year’s The Conjuring that successfully employs many of that film’s hauntingly understated techniques
While If I Stay is considerably less offensive than The Fault in Our Stars, this year’s other serious young adult drama, it’s also pretty much a dud
And So It Goes gets by as far as it does due to the charisma of stars Michael Douglas and Diane Keaton, who bring a genuine humanity to their roles
As Above, So Below has a great premise, an interesting supernatural concept, a cast containing professional actors, and a genuine storyline
Style so overwhelms content in Sin City: A Dame to Kill For that plot specifics are rendered meaningless
While The Expendables 3 is a better film in most technical regards, it’s lost the goofy charm and rough edges that made the first two Expendables fun
Magic in the Moonlight is a lightweight piece of Woody Allen fluff with precious little magic or moonlight.
Into the Storm is certainly goofier than any Roland Emmerich disaster movie – and that’s saying something.
Director Miroslav Krobot combines elements of biting satire with droll comedy in Nowhere in Moravia (Díra u Hanušovic)
Deliver Us from Evil is a collection of possession-movie clichés that fails to grab us on anything more than a superficial level
The Fault in Our Stars tells the heart-wrenching story of two teenage cancer patients who fall in love
Neighbors is an inexplicably well-reviewed comedy that strings together a series of mean-spirited gross-out gags in lieu of an actual story
The Other Woman is not the film the trailers were selling. Not entirely, anyway, and not from the word go.
Brick Mansions, is just passable action fare for the undemanding; you could do far worse for some brainless late-night thrills