Great Expectations starts out just fine but soon devolves into a routine production that seems less vested in telling the Dickens story
Paranormal Activity 4 should reap the benefits of its predecessors’ success, and Joost & Schulman have returned to the director’s chair
The Words is a film that is simultaneously not as clever as it thinks it is, and too clever for its own good
Resident Evil: Retribution is the fifth film in the series inspired by the Capcom survival horror video games
Step Up Revolution (AKA Step Up 4: Miami Heat) is a dizzyingly shot and edited South Beach street dance movie
Abraham Lincoln: Vampire Hunter presents its story of Honest Abe hunting down vamps straight-faced almost all the way
Stephan Elliott’s A Few Best Men attempts to push boundaries but its imagination is severely limited
Snow White and the Huntsman is a joyless, oh-so-serious slog through the Snow White and the Seven Dwarfs fairy tale
Battleship features gung-ho patriotism, a simplistic save-the-world storyline, and a giant, morphing alien threat
Wrath of the Titans is a sequel to 2010’s Clash of the Titans, itself a remake of the 1981 film of the same name
The Vow, a tepid and unbelievable romance, hinges on a premise so thin it could have only been based on a true story
Ghost Rider: Spirit of Vengeance doesn’t have much to live up to but even by those standards, this one comes up short.
The Help, based on the popular novel by Kathryn Stockett, is a “nice”, entertaining, enjoyable film with one major storytelling concern
Underworld: Awakening returns the series to its roots, with Kate Beckinsale in the lead and an elevated level of tedium
The Darkest Hour has two things going for it: shots of a completely deserted Moscow and an unusual alien menace
The Inbetweeners Movie is missing just about all the qualities that made the TV series fun
One Day is turgid, dull, dreary, and surprisingly unlikable, especially disappointing coming off the director’s previous film
Cowboys & Aliens does, indeed, feature both cowboys and aliens, but it doesn’t seem to know what to do with either of them
Conan the Barbarian is far from a good film, but it delivers enough B-movie cheap thrills to skate by for its intended audience
The Resident is an urban psychological thriller with some light horror overtones and a vaguely familiar air
Your Highness is a medieval fantasy-comedy with a $50 million budget and overdose of infantile humor
Something Borrowed borrows more than something from the average cut-rate romantic comedy, delivered weekly these days in familiar portions
At a scant 80 minutes minus credits, the best thing that can be said about Scott Stewart’s Priest is that it’s not quite long enough to offend
Scream 4 is more of the same, and equals or betters the last two installments; fans should dig it