‘It’s Complicated’ movie review: Meryl Streep, Alec Baldwin in Nancy Meyers rom-com
It’s Complicated is well-produced, with a better cast than the material deserves, and its target audience should enjoy it
It’s Complicated is well-produced, with a better cast than the material deserves, and its target audience should enjoy it
2012 is the disaster movie mother of them all, combining earthquakes, volcanoes, tsunamis, and more
The Accidental Husband has a couple of appealing performances from Uma Thurman and Jeffrey Dean Morgan
Marcus Nispel’s Friday the 13th is yet another pointless remake of a ‘classic’ slasher film
Transporter 3 jettisons the goofy, over-the-top fun of its predecessors in favor of a more serious Bourne-lite ride
High School Musical 3: Senior Year arrives in cinemas after the first 2 direct-to-Disney Channel films became massive hits on cable and DVD
Bangkok Dangerous is a woefully misconceived picture that is nevertheless good for some unintentional laughs
Paul W.S. Anderson’s Death Race should please genre fans and represents a solid effort among the director’s oeuvre
Like most recent Hollywood horror films, Alexandre Aja’s Mirrors is based on a successful Asian chiller
Eagle Eye tests the limits of just how dumb a film can be and still get away with it
Meet Dave is a nice change of pace from the star’s recent flicks of the Norbit/Nutty Professor variety
Báthory is a wandering, plotless film that seems content to run down a laundry list of events in the life of the titular countess
A competent serial killer thriller for two-thirds of the way, Gregory Hoblit’s Untraceable loses itself by the end
21 turns the true story of the Vegas-breaking MIT card counting team into a rambling bore
Fool’s Gold won’t be fooling anyone who has seen a decent adventure pic
Sleuth pales so vividly in comparison to the original material that it cannot be deemed anything other than a failure
Gabriele Muccino re-teams with Pursuit of Happyness star Will Smith for an ambitious, well-meaning and initially compelling film
Doug Liman’s Jumper takes a potentially intriguing premise and goes absolutely nowhere with it;
P.S. I Love You comes manufactured to forcibly extract tears directly from the ocular cavities of its viewers
Hitman should’ve and would’ve premiered on a lesser medium if it weren’t based on the popular video game series of the same name
Resident Evil: Extinction, the third entry in the increasingly tiresome series, no longer resembles its video game roots
Feast of Love feels insincere throughout despite a likable cast and efficient direction
In No Reservations, Catherine Zeta-Jones stars in a bland remake of Mostly Martha
Rush Hour 3 is capably handled and no worse than the previous entry but still fails to elicit any excitement