
‘Bangkok Dangerous’ movie review: Nicolas Cage is (briefly) in Prague
Bangkok Dangerous is a woefully misconceived picture that is nevertheless good for some unintentional laughs

Bangkok Dangerous is a woefully misconceived picture that is nevertheless good for some unintentional laughs

Ridley Scott’s Body of Lies gets by on some strong performances and a surprisingly intricate, well-detailed story

Twilight is a cornball Harlequin romance with a Romeo and Juliet-like love story between a human girl and a vampire boy

The Strangers plays mostly like Michael Haneke’s Funny Games without the art-film subtext

Repo! The Genetic Opera is what happens when filmmakers set out to make a cult movie: too much cult, not enough movie

Paul W.S. Anderson’s Death Race should please genre fans and represents a solid effort among the director’s oeuvre

Dreamworks Animation’s Madagascar: Escape 2 Africa is brighter, livelier, funnier, and a shade or two better than 2005’s Madagascar

The Women is a painful experience that wastes an extremely talented and likable cast

Quantum of Solace lacks the elegance and grace that earmarked Casino Royale and makes James Bond what he is

The Other Boleyn Girl is dull and listless costume drama, populated by rote one-dimensional characters

Nights in Rodanthe breaks no new ground but should please lonely hearts and fans of the star duo

Max Payne is surprisingly effective most of the way but ultimately falls prey to genre clichés and lapses of logic

The Forbidden Kingdom is notable for one reason: it’s the long-awaited team-up of Hong Kong superstars Jet Li and Jackie Chan

Vicky Christina Barcelona is lightweight, lighthearted, and liberal, but also surprisingly thoughtful

Jason Reitman’s Juno was a favorite at film festivals and award ceremonies, and among most audiences last year

Taken is the kind of movie you might expect to see from a Bruce Willis or Jet Li. But no, here’s Liam Neeson

An exhilarating return to form for Peter Greenaway, Nightwatching is easily the cult director’s best film since 1989’s The Cook, the Thief, His Wife & Her Lover

Like most recent Hollywood horror films, Alexandre Aja’s Mirrors is based on a successful Asian chiller

Isabel Coixet’s Elegy is a leisurely paced but heartfelt exploration of its characters

Disaster Movie is a film with such a short-term memory that it doesn’t spoof anything more than 6-months old

Eagle Eye tests the limits of just how dumb a film can be and still get away with it

2 Days in Paris (not to be confused in any way with 1 Night in Paris) is a thoroughly enjoyable Paris excursion

Star Wars: The Clone Wars does its best to alienate fans of the series by explicitly pandering to a younger audience

Tropic Thunder is the kind of outrageous no-holds-barred comedy that really works because it manages to keep its smarts while being so dumb