This authentic-feeling political thriller from the director of The Hurt Locker is captivating from beginning to end despite the repetitious nature of its narrative.
This isn’t even a movie about Bruce Springsteen at all—it’s a movie about depression, and the Boss is merely the vessel to tell its story.
NOW STREAMING ON: Two couples that have been together since high school wonder if they made the right choice in their partners, while the daughter
A Yale ethics professor finds herself caught in her own moral morass after a friend and colleague is accused of misconduct in After the Hunt,
This sequel keeps focus on its central characters while taking the narrative in a new direction, ending up with something that feels like it came from A Nightmare on Elm Street.
This convoluted murder mystery adapted from the 2020 Richard Osman novel is given a huge boost thanks to an impressive cast that extends beyond its central quartet.
This thrilling true story from director Paul Greengrass (The Bourne Supremacy, Captain Phillips) grabs hold of your attention from the very beginning and never lets go.
This diverting feature based on the Kotake Create video game might be the first film to be entirely trapped in a Backrooms-like liminal horror setting
NOW STREAMING ON: An escaped convict finds himself in an unusual living arrangement within the walls of a busy toy store in Roofman, opening in
This initially intriguing thriller benefits from some top production design and committed performances from a capable cast, but loses its story along the way.
his unusually downbeat story features some gorgeous cinematography on the coast of Southwest England and two endearing performances from Gillian Anderson and Jason Isaacs.
The electrifying score by Nine Inch Nails that washes over so much of the film that it often feels like an extended music video—but there’s a timely, touching story in here, too.
It’s a step up from 2013’s Jason Statham-led Parker, and a and rousing return to form for director Shane Black, who keeps things fast, loose, and often quite funny without losing the source’s hard edge.
For some out there, this film will resonate on the same level as an Amélie or perhaps Joe Versus the Volcano, and earn the type of adoration its protagonists so desperately seek.
Wonderful production design, vibrant cinematography on the streets of Prague, and outstanding performances bring this flavorful portrait of Franz Kafka to life.
Despite general competence on the filmmaking level and some well-crafted set pieces, The Strangers: Chapter 2 collapses under the weight of some laughably bad narrative choices.
This invigorating, timely call to action is easily the best major studio release of 2025, and an early favorite for Best Picture at next year’s Academy Awards.
Beyond its striking visuals and pulsating soundtrack, Sirât is a meditation on the human condition: what drives us to go on as our world collapses around us.
This strikingly composed documentary from director Miro Remo is less interested in profiling these characters than in artfully capturing their peculiar existence.
Slovak director Tereza Nvotová’s follow-up to her breakout Nightsiren is impeccably well-crafted, utilizing minutes-long single takes to heighten the tension.
Coming off the back of proficient actioners Day Shift and The Killer’s Game, this latest outing from stunt coordinator-turned-director J.J. Perry is an unfortunate dud.
This largely faithful adaptation of Stephen King’s 1979 novel—with a few key story changes—pulls no punches and hits just as hard as it did upon release.
This third and final Downton Abbey film never really recaptures the magic of the beloved ITV series that ran from 2010-15, but it’s an improvement over the previous two movies.
Despite some terrific 1980s production design and a few memorable horror set pieces, this Conjuring movie isn’t nearly scary enough to compete with James Wan’s first two movies.