As with last year’s Oppenheimer, Prague’s IMAX cinema at Cinema City Flora will be the only one in continental Europe to screen Interstellar in 70mm.
The plotting and execution of a Met Gala grab is the prime focus in this surprisingly on-point heist movie that matches – or even surpasses – its predecessors
Swashbuckling Alice must save The Mad Hatter from depression – by travelling through time – in this not-so-wonderful sequel
Christopher Nolan’s Interstellar, one of the most anticipated films of 2014, is not the masterpiece some may be expecting, but a rare visionary head-trip nonetheless
Don Jon represents an unusual choice of material for Joseph Gordon-Levitt, making his feature-length writing and directing debut
A movie version of the Les Misérables has been rumored ever since the musical hit it big in the late 1980s, but has only now come to fruition
The Dark Knight Rises is Christopher Nolan’s highly-anticipated follow-up to The Dark Knight and final chapter in his Batman trilogy
One Day is turgid, dull, dreary, and surprisingly unlikable, especially disappointing coming off the director’s previous film
Loe and Other Drugs is cookie-cutter rom-com junk food complete with wildly inappropriate happy ending
Alice in Wonderland for the Lord of the Rings/Chronicles of Narnia crowd, complete with a battlefield action climax
Valentine’s Day is an adequate, pleasant-enough date movie, but it’s utterly unmemorable in almost every detail
A romantic comedy that provides neither romance nor comedy, Gary Winick’s Bride Wars is what many will call a “chick flick”
Get Smart is content enough to re-create the tone and style of the original rather than becoming an overblown blockbuster
Becoming Jane stars Anne Hathaway as author Jane Austen