Disney’s latest attempt to turn an amusement park ride into a film franchise lacks laughs or scares, and turns dreadfully dull despite a game cast.
Marc Foster will direct the adaptation of R.J. Palacio’s bestselling graphic novel about a Jewish girl in Nazi-occupied France
Blue Steel is back, but this good-looking sequel can’t sustain the original’s ridiculous charm
She’s Funny That Way, Peter Bogdanovich’s first (theatrical) film since The Cat’s Meow bowed 14 years ago, is fast and loose and a whole lotta fun
Night at the Museum: Secret of the Tomb is a bright and busy sequel that represents a step up from the previous installment
Wes Anderson’s dazzling WWII-era film was one of the very best of 2014
The Internship isn’t very good, but it’s so darn eager to please that it becomes almost impossible to dislike
Midnight in Paris is a shade of Woody Allen that we haven’t seen since 1985’s The Purple Rose of Cairo
Cars 2, a sequel to one of Pixar’s less memorable features, is the studio’s first outright dud
Marley & Me features too little Marley and too much Me, in this case Owen Wilson, standing in for the author
The Darjeeling Limited has been passed over by critics and audiences alike, which is a cryin’ shame