There isn’t much ingenuity or storytelling ambition in this film from the director of Palm Springs, but in there stead a special kind of down and dirty charm.
This soulful, spiritual conclusion from Denis Villeneuve is even better than the first movie, with wonderful work from Rebecca Ferguson and Timothée Chalamet.
This first-rate adaptation of Frank Herbert’s classic novel is truly a breathtaking vision, but feels abridged and unfinished.
This may (or may not) be the best film in the Marvel Cinematic Universe yet, but it is undoubtedly the one all 21 previous films have been leading up to
This unlikely sequel to the 2015 drug cartel drama widens the scope to present a brutally effective tale
This violent, irreverent sequel isn’t as funny as its predecessor, but features a far better story and action sequences
Despite two dozen comic book characters competing for screen time, the biggest Marvel movie to date is also one of the best
The Coen Brothers’ latest film is a divisive, but delightful, love letter to 1950s Hollywood
In Mexico, Sicario means hitman, the opening title scrawl of director Denis Villeneuve’s latest film tells us
Everest is a stark, non-nonsense account of the ill-fated 1996 expedition that has been previously told through numerous non-fiction novels and films
Style so overwhelms content in Sin City: A Dame to Kill For that plot specifics are rendered meaningless
Guardians of the Galaxy is not just the best Marvel movie to date, but also the one of the finest science fiction films in quite some time
Labor Day might be shamelessly indulgent melodrama, but this kind of Douglas Sirk throwback is almost a breath of fresh air
A decade after Chan-wook Park’s original Oldboy, the remake has finally hit with a most unusual choice for director: Spike Lee
Gangster Squad is a high-profile, high-energy, overdone and undercooked version of a purportedly true story
Men in Black 3 represents a pleasant-enough diversion but little more after a decade-long absence from the series
True Grit, a new western from the Coen Brothers, is more or less as good as Henry Hathaway’s 1969 original starring John Wayne
You Will Meet a Tall Dark Stranger is an unusually light comedy that recalls some of Woody Allen’s 1970s output.
In Wall Street: Money Never Sleeps, Gordon Gekko is no longer a villain, not even an antihero, but the wise and heroic mentor
Milk certainly isn’t sour, though the traditional Hollywood biopic material is often underwhelming
In the Valley of Elah is an investigative drama that doesn’t quite reach the aspirations of its true-life story
The brilliant novel by Cormac McCarthy is brought to life page-by-page and – at times – word-by-word in the brilliant No Country for Old Men
American Gangster comes so close to becoming a masterpiece that one can almost taste it
After being separated into 2 movies for its initial release, Grindhouse is now screening in its intended form for Czech audiences