‘Tom Clancy’s Without Remorse’ movie review: Michael B. Jordan enters the Ryanverse
This slick new adaptation starring Guy Pearce and Michael B. Jordan rewrites Clancy’s original story to detrimental effect
This slick new adaptation starring Guy Pearce and Michael B. Jordan rewrites Clancy’s original story to detrimental effect
This mystery-thriller starring Pierce Brosnan and Guy Pearce is engaging enough until an unsatisfying finale
Variety calls the WWII spy thriller starring Paul Rudd and Paul Giamatti, which was shot in the Czech capital early last year, a ‘fact-based misfire’
This sequel to Prometheus throws in a lot more Alien action, and backstory explanation, to little effect
The actors are now in Prague shooting The Catcher Was a Spy, which also stars Jeff Daniels and Paul Giamatti.
Marvel meets Shane Black in Iron Man 3, which eschews some of the more comic book elements of Marvel’s previous films
John Hillcoat’s Lawless, a prohibition-era drama about moonshiners, couldn’t be opening at a better time in the Czech Republic
Prometheus, director Ridley Scott’s prequel to Alien, is a masterful mixture of brainy sci-fi ideology and splatter movie schlock
Lockout is expectedly ridiculous stuff that stretches credibility and then snaps it right off (just wait for the climactic skydiving sequence)
Don’t Be Afraid of the Dark is a creepy and atmospheric Old Dark House thriller, a remake of the cult 1973 TV movie
The King’s Speech is a great story, and like many great stories, it’s (mostly) true; Colin Firth and Geoffrey Rush are both excellent in their roles
Brooding and atmospheric, the Aussie crime saga Animal Kingdom is an incredibly well-composed feature debut from director David Michôd
The Road is cold, miserable, relentlessly grim; there’s no joy and little hope in this post-apocalyptic tale
The Hurt Locker was the best film of 2009, and one of the best of the decade
Adam Shankman’s Bedtime Stories has a game cast but a disappointingly weak script
Traitor examines the moral aspects of terrorism and the similarities between those fighting on opposite sides.
Factory Girl is a well-intentioned but tepid and underdeveloped look at Edie Sedgwick, whose life came to an untimely end at age 28.