
‘Guardians of the Galaxy Vol. 3’ movie review: trilogy capper the best MCU film since Phase 3
Bradley Cooper’s Rocket Racoon gets his due in the best Marvel movie since Avengers: Endgame.
Bradley Cooper’s Rocket Racoon gets his due in the best Marvel movie since Avengers: Endgame.
Chris Hemsworth and Natalie Portman are dueling Gods of Thunder in this sick and entertaining – but ultimately hollow – MCU adventure
Sam Neill, Laura Dern, and Jeff Goldblum help return the dinosaur world of Jurassic Park back to its roots
Dinosaurs are hurled off cliffs, hunted, caged, auctioned off, gassed, and ultimately forgotten in this fifth entry in the Jurassic Park saga
Despite two dozen comic book characters competing for screen time, the biggest Marvel movie to date is also one of the best
The MCU’s best film gets a fitting sequel in this fast, fun, and refreshingly character-driven bit of comic book sci-fi
Denzel Washington and Chris Platt help defend a farming town in this remake of the 1960 cowboy classic
Chris Pratt leads a pack of raptors into battle in this return to the world of Jurassic Park
Guardians of the Galaxy is not just the best Marvel movie to date, but also the one of the finest science fiction films in quite some time
Her treats its lead character’s relationship with his operating system not as a strange or comic premise, but as an entirely realistic
Delivery Man is a schmaltzy, easy-going drama with some lightly comedic scenes between Vince Vaughn and Chris Pratt
Zero Dark Thirty was conceived as an account of the CIA’s attempts to track down the al Qaeda founder behind the 9/11 attacks
Movie 43, a parade of Saturday Night Live-style skits that intends to shock you with poor taste, is missing just one thing: the jokes
Bennett Miller’s Moneyball is a real surprise, one of the best baseball movies ever made and certainly one of the most realistic
A romantic comedy that provides neither romance nor comedy, Gary Winick’s Bride Wars is what many will call a “chick flick”
Wanted is is perfect action fare for undemanding crowds but as soulless as the cinema of Michael Bay