A young woman comes to realize that everything may not be okay on Epstein Island in this first-rate directorial debut from actress Zoë Kravitz.
A gruff NASA launch commander and sprightly new public relations director butt heads in this loony new film that plays into popular conspiracy theories.
This third Deadpool film matches the profane quality of its predecessors despite a move to Disney, but suffers the same multiverse fatigue that plagues most recent superhero movies.
A group of assassins navigate a Guy Ritchie-esque plot aboard a train from Tokyo to Kyoto in this film from the director of Deadpool 2
Spaceman is a new Netflix adaptation of Czech writer Jaroslav Kalfař’s Spaceman of Bohemia, about a Czech astronaut in space
This sequel to the 2014 adaption of the comic series is as fun as its predecessor, but lacks its devilishly explosive finale
Director Steven Soderbergh’s comeback feature is a low-key, low-energy, but entirely likable Southern-fried heist movie
The Coen Brothers’ latest film is a divisive, but delightful, love letter to 1950s Hollywood
The Hateful Eight is “the eighth film by Quentin Tarantino” as proudly denoted by the opening credits
he majority of Magic Mike XXL is a laid-back, low-burn, mostly plotless road movie exercise about the Kings of Tampa
Jupiter Ascending is an original, great-looking and (mostly) serious take on sci-fi from the Wachowski siblings
While 22 Jump Street knows that it is another by-the-numbers sequel, that doesn’t save it from playing out as one
The apocalypse comes to Hollywood in the uproariously funny This is the End, which pits a star-studded cast against the rapture
Don Jon represents an unusual choice of material for Joseph Gordon-Levitt, making his feature-length writing and directing debut
Roland Emmerich’s goofy White House Down fares a little better than its serious-minded predecessor, Olympus Has Fallen
Steven Soderbergh’s Side Effects starts out as one kind of movie and becomes something else entirely
G.I. Joe: Retaliation is the cinematic equivalent of a boy mashing together his plastic action figure toys
Magic Mike, boosted by an all-star cast, is just about the best film about male strippers imaginable
The Vow, a tepid and unbelievable romance, hinges on a premise so thin it could have only been based on a true story
Haywire is far from perfect, but it has two things really going for it: MMA star Gina Carano and brutally effective action scenes
The Eagle may not bring anything new to the table, but it’s a refreshingly old-fashioned action-adventure
Ron Howard’s The Dilemma is a rarely funny bromance, overlong and aggravating and without a dilemma
Dear John is a little different the the usual Nicholas Sparks adaptation, but only in the details: the schmaltz is poured on even thicker, to even less effect
G.I. Joe: Rise of the Cobra may be mindless junk but it’s also mostly harmless and occasionally fun