This elevated Lifetime movie recalls classic erotic thrillers like Fatal Attraction and The Hand That Rocks the Cradle and plays like gangbusters thanks to a pair of engagingly campy performances
Things aren’t as they seem in Things Heard & Seen, a nifty Netflix chiller that goes in some unexpected directions
Kevin Bacon and Amanda Seyfried stay at a creepy Welsh cottage in this riff on The Shining from writer-director David Koepp
Most of the cast returns to this belated sequel to the hit 2008 musical, which represents a rundown of ABBA’s not-so-greatest hits
Clive Owen stars as a cop who can access his victim’s memories in this new Netflix thriller from the director of Gattaca
Love the Coopers is about a clan of curmudgeons so down-in-the-dumps that no amount of holiday cheer could bring a smile to their faces
Pan, a CGI-fueled departure for director Joe Wright, is one of the strangest $150 million blockbusters ever to hit the screen
Seth MacFarlane’s talking bear is back in Ted 2, an intermittently uproarious comedy that lumbers to an ungainly 115-minute running time
There’s just one problem with Seth MacFarlane’s A Million Ways to Die in the West: it isn’t very funny
Lovelace is a biography of Deep Throat star Linda Lovelace from directors Rob Epstein and Jeffrey Friedman (Howl)
The Big Wedding casts Robert De Niro, Diane Keaton, Susan Sarandon, Robin Williams and other fins actors in an entirely dull affair
A movie version of the Les Misérables has been rumored ever since the musical hit it big in the late 1980s, but has only now come to fruition
In Time may not be entirely convincing as science fiction, but it’s at least half-intelligent; it gets you thinking
Letters to Juliet is quite wonderful in that soapy, schmaltzy, teary-eyed Hollywood way
Dear John is a little different the the usual Nicholas Sparks adaptation, but only in the details: the schmaltz is poured on even thicker, to even less effect
ABBA’s music can be plenty fun, and Mamma Mia! has fleeting, all-too-brief glimpses of that fun