
‘Fighting’ movie review: Channing Tatum solid in bare-knuckle B-movie
Fighting is director Dito Montiel’s solid-if-unspectacular B-movie that knows what it is and is firmly rooted in its origins

Fighting is director Dito Montiel’s solid-if-unspectacular B-movie that knows what it is and is firmly rooted in its origins

Transformers: Revenge of the Fallen doesn’t even work on the level of toy commercial

Kinoautomat was the world’s first interactive movie, which premiered at the World Expo in Montreal back in 1967

Director Sam Raimi returns (sort of) to his Evil Dead roots in the horror comedy Drag Me To Hell

The Hangover is a near-classic old-school comedy that recalls Animal House or Caddyshack

Kevin Smith tries to recapture some of that Chasing Amy magic in the salaciously titled Zack and Miri Make a Porno

Coraline marks director Henry Selick’s return to feature-length animation following a decade-plus absence

The Secret of Moonacre, based on the acclaimed novel The Little White Horse by Elizabeth Goudge, doesn’t have much going for it

A post-apocalyptic man vs. machine war movie, Terminator Salvation plays out like many a video game

I Love You, Man combines a buddy picture with a romantic comedy and hits all the usual notes along the way

There’s a fascinating story about the death of print journalism inside Kevin Macdonald’s State of Play

Bottle Shock looks at the 1976 blind wine-tasting competition in France that declared a Napa Valley wine as the victor

New in Town transports a Miami city girl to Minnesota, and leaves no Harve Gunderson or “don’tcha know” unturned

The Last House on the Left is a jarring, visceral film that is by rights superior to Wes Craven’s 1972 original

Ron Howard still doesn’t have the right feel for the material, but Angels & Demons is a considerably better film

17 Again stars Matthew Perry, who becomes a younger version of himself in Zac Efron

There’s only one problem with Tony Gilroy’s otherwise excellent Duplicity: the tone is all wrong, and it threatens to ruin the film

Star Trek is the kind of Hollywood blockbuster that hasn’t been seen since Spielberg and Lucas were in their prime

My Bloody Valentine, however, is the first horror film to use new 3D technology,and its also been conceived as 3D experience from the ground up

X-Men Origins: Wolverine is about as unwieldy as its title: it’s a big, sprawling mess of summer blockbuster, but lovable just the same

Marcus Nispel’s Friday the 13th is yet another pointless remake of a ‘classic’ slasher film

The Reader, based on the novel by Bernhard Schlink, raises a lot of interesting moral questions

Synecdoche, New York, is the best translation of a Charlie Kaufman screenplay to the screen yet

P.J. Hogan’s Confessions of a Shopaholic is about as good as one could reasonably expect