‘Nine’ movie review: Daniel Day-Lewis can’t save overindulgent Fellini musical
And at worst, Nine is a masturbatory vanity project and an insult to Fellini
March 3, 2010
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And at worst, Nine is a masturbatory vanity project and an insult to Fellini
The Twilight Saga: New Moon is an unbearable slog that will appeal to fans of the series and leave all others twitching in their seats
My Life in Ruins is another parade of obnoxious stereotypes that wears out its welcome quickly
Love Happens, a well-intentioned but seriously mishandled film with precious little romance and no comedy
Gamer is a loud, incoherent, and ultimately miserable experience, but the directors are trying here
New in Town transports a Miami city girl to Minnesota, and leaves no Harve Gunderson or “don’tcha know” unturned
An unfortunate title describes its contents all-too-well in Robert B. Weide’s How to Lose Friends & Alienate People
Australia falls on all counts to do justice to its titular country as it turns in an embarrassingly crude apology
Repo! The Genetic Opera is what happens when filmmakers set out to make a cult movie: too much cult, not enough movie
Star Wars: The Clone Wars does its best to alienate fans of the series by explicitly pandering to a younger audience
ABBA’s music can be plenty fun, and Mamma Mia! has fleeting, all-too-brief glimpses of that fun
Michael Patrick King’s Sex and the City turns the HBO comedy into an interminable, sometimes excruciating experience
Step Up 2 the Streets follows in the footsteps of the earlier film and other competitive street dance movies
The Eye is based on the creepy 2002 Hong Kong film by the same name, directed by the Pang brothers
Mike Newell’s Love in the Time of Cholera is a chore to sit through and an insult to most
The Seeker: The Dark is Rising is dull, plodding nonsense
The Pang Bros. first English-language film, The Messengers starts off promisingly but soon disintegrates
A listless sequel to the uninspired original, this Fantastic Four flick piles money on top of by-the-numbers script
Because I Said So gives us layers of lackluster romance and broad comedy during an overlong 100 minutes
An intriguing premise is completely mishandled in director Mennan Yapo’s misguided thriller Premonition
Gore Verbinski´s Pirates of the Caribbean: At World’s End has all the earmarks of an epic pirate flick but sorely lacks the sense of breezy fun
It takes a biblical plague for Hilary Swank to re-discover her faith in The Reaping, but it´s going to take a lot more for audiences to enjoy this film
Alleged comedy Employee of the Month is almost a complete disaster, saved only by occasionally flavorful supporting cast.
Director Todd Phillips’ latest film is devoid of laughs or likable characters