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This sequel keeps focus on its central characters while taking the narrative in a new direction, ending up with something that feels like it came from A Nightmare on Elm Street.
This convoluted murder mystery adapted from the 2020 Richard Osman novel is given a huge boost thanks to an impressive cast that extends beyond its central quartet.
This diverting feature based on the Kotake Create video game might be the first film to be entirely trapped in a Backrooms-like liminal horror setting
It’s a step up from 2013’s Jason Statham-led Parker, and a and rousing return to form for director Shane Black, who keeps things fast, loose, and often quite funny without losing the source’s hard edge.
Slovak director Tereza Nvotová’s follow-up to her breakout Nightsiren is impeccably well-crafted, utilizing minutes-long single takes to heighten the tension.
This third and final Downton Abbey film never really recaptures the magic of the beloved ITV series that ran from 2010-15, but it’s an improvement over the previous two movies.
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This spry, action-packed sequel carries over both the strengths and weaknesses of 2021’s Nobody, and while it may be a step down from its predecessor, it’s only a small one.
Materialists covers some similar thematic territory as director Celine Song’s previous film, the wonderful Past Lives, but in a much more simplistic, and far less emotionally resonant, fashion.
This one is packed with enough genuine laughs to succeed as a feature film comedy in 2025… even if it never really lives up to the original movies.
This affectionate portrait of the journey of immigrants in the Czech Republic has a raw authenticity and genuine nostalgia for a very particular time and place.
Director Ilya Naishuller (Nobody, Hardcore Henry) lends this one a little more style than it probably deserves—call it a guilty pleasure.
A serial killer employs sharks as his weapon of choice in Dangerous Animals, which played in the midnight movie section of the Karlovy Vary International Film Festival.
The MCU’s latest take on Marvel’s First Family is stylish and fun, even if it doesn’t quite stick the landing.
James Gunn’s Superman is bright, bold, and sincere—bringing the Man of Steel back to life, even if the story itself falls short.
In terms of a straightforward adventure movie packed with dinosaur thrills, it’s the series’ best entry since Joe Johnston’s Jurassic Park III.
This new slasher film with a strong dash of comedy boasts standout scenes of bloody horror and laugh-out-loud moments, even if it doesn’t live up to Tucker and Dale.
This feature directorial debut from Succession co-creator Jesse Armstrong boasts the same kind of car-crash-fascinating personalities, but the film gets increasingly irritating the longer we spend time with them.
This John Wick spinoff starts on shaky footing with an exposition-heavy first half, but an eye-opening final 40 minutes of nonstop slam-bang action delivers on its franchise promise.
This innocuous and generally likable return to the Karate Kid franchise nicely bridges the gap between the original films with Pat Morita, 2010’s reboot, and Netflix’s Cobra Kai
This sixth entry in the franchise and first since 2011’s Final Destination 5 benefits from an engaging narrative that shakes up the usual story and some creative murder set pieces.
This adaptation of Stephen King’s short story turns into an engagingly offbeat comedy punctuated by sudden, sometimes shockingly gruesome scenes of violence.
Slick direction from Andy Tennant and an especially engaging lead performance by Isabelle Fuhrman make this a nifty little thriller that never wears out its welcome.