
‘Superman’ (2025) movie review: James Gunn’s DC retool is the best Superman film in 35 years
The Man of Steel returns to the screen for a delightfully vibrant comic book adventure in Superman, opening in Prague and cinemas worldwide this weekend.
The Man of Steel returns to the screen for a delightfully vibrant comic book adventure in Superman, opening in Prague and cinemas worldwide this weekend.
In terms of a straightforward adventure movie packed with dinosaur thrills, it’s the series’ best entry since Joe Johnston’s Jurassic Park III.
This new slasher film with a strong dash of comedy boasts standout scenes of bloody horror and laugh-out-loud moments, even if it doesn’t live up to Tucker and Dale.
This feature directorial debut from Succession co-creator Jesse Armstrong boasts the same kind of car-crash-fascinating personalities, but the film gets increasingly irritating the longer we spend time with them.
This John Wick spinoff starts on shaky footing with an exposition-heavy first half, but an eye-opening final 40 minutes of nonstop slam-bang action delivers on its franchise promise.
This innocuous and generally likable return to the Karate Kid franchise nicely bridges the gap between the original films with Pat Morita, 2010’s reboot, and Netflix’s Cobra Kai
This sixth entry in the franchise and first since 2011’s Final Destination 5 benefits from an engaging narrative that shakes up the usual story and some creative murder set pieces.
This adaptation of Stephen King’s short story turns into an engagingly offbeat comedy punctuated by sudden, sometimes shockingly gruesome scenes of violence.
Slick direction from Andy Tennant and an especially engaging lead performance by Isabelle Fuhrman make this a nifty little thriller that never wears out its welcome.
A heavy dose of wink-wink comedy, over-the-top gore effects, and a pair of appealing lead performances make this one a lot of fun, even if the horror elements are largely undercut.
This modest but engaging feature from director Duncan Skiles (The Clovehitch Killer) thrives on the dynamic between its characters and two compelling lead performances.
This action film from the director of The Raid features a contrived and often illogical narrative but enough brutal slam-bang action to warrant a recommendation for genre fans.
Thanks to a character-driven narrative and first-rate performances from Affleck and Bernthal, this one exceeds expectations and delivers a more satisfying experience than the original.
This spy thriller from the Robert Littell novel is worth revisiting with the release of a 2025 remake starring Rami Malek in cinemas worldwide this weekend.
This high-concept, white-knuckle thriller benefits greatly from two powerhouse performances and inventive filmmaking from director David Yarovesky.
This one never deviates from the usual John Wick formula, but committed work from lead Jason Statham keeps it firing on all cylinders despite a lengthy runtime.
Some inspired action sequences and an appealing performance from Jack Quaid make this one genuinely fun throughout.
William Tell may not hit a bullseye, but with rousing action, a commanding lead, and an expertly-crafted apple-shot centerpiece, it still finds its mark.
Engaging performances by lead Robert Pattinson and first-rate visual filmmaking from director Bong Joon-ho make this one worth seeing despite some narrative issues.
A pair of lethal snipers separated by a massive chasm protect the Earth from demons escaping the gates of Hell in this film from Sinister director Scott Derrickson.
Dumped with little fanfare on Prime Video, this dueling weddings comedy from director Nicholas Stoller (Forgetting Sarah Marshall) is more fun that you might expect.
The Spanish director’s first English-language feature boasts a pair of engaging performances in the lead roles, but only registers as a minor work within his oeuvre.
Utilizing minimal exposition and character development, this streamlined monster movie delivers the goods when it comes to the action.
This low-energy but mildly engaging comedy-drama gets a huge boost from Michael Keaton’s immensely empathetic central performance.