Matt Damon and Adam Driver are bitter rivals in 14-Century France in this compelling story of the complexities of courage and honor
Director Martin McDonagh’s third feature film is a brutally effective tale of the ineffectiveness of anguish and outrage
It’s mutant vs. mutant when an Egyptian God is resurrected in this 1980s-set X-Men adventure
Seven Psychopaths is a film about writing, or more specifically writer’s block, perhaps born from the writer-director’s own difficulties
Argo is an incredible story, told with lean efficiency and expert craftsmanship, which is mighty good enough
The Words is a film that is simultaneously not as clever as it thinks it is, and too clever for its own good
The Bourne Legacy has a lot to live up to, coming off the heels of some of the most popular action movies of the past decade
Tower Heist is a typical Brett Ratner comedy, a little better than the last Rush Hour film, about on a par with After the Sunset
In Bruges is one of those rare debut masterpieces that instantly identifies its creator as a major cinematic force
Lasse Hallström´s The Hoax comes close to hitting the mark at various points along the road but falls just short
Live Free or Die Hard might disappoint die-hard fans of the series, but entertains on a grand scale