‘Café Society’ movie review: Jesse Eisenberg in lightweight Woody Allen drama
A neurotic New York Jew gets involved in an L.A. love triangle in this latest film from director Woody Allen
A neurotic New York Jew gets involved in an L.A. love triangle in this latest film from director Woody Allen
Irrational Man is the classic Strangers on a Train setup, with the twist that there’s only one stranger, and he’s motivated by vigilantism
Magic in the Moonlight is a lightweight piece of Woody Allen fluff with precious little magic or moonlight.
Blue Jasmine is the best film Woody Allen has made since 2005’s Match Point – or even 1989’s Crimes and Misdemeanors
Four separate Rome-set storylines are given equal screen time in Woody Allen’s latest, To Rome with Love
Midnight in Paris is a shade of Woody Allen that we haven’t seen since 1985’s The Purple Rose of Cairo
You Will Meet a Tall Dark Stranger is an unusually light comedy that recalls some of Woody Allen’s 1970s output.
Whatever Works is Woody Allen’s best straight comedy in years – at least since 2000’s Small Time Crooks
Vicky Christina Barcelona is lightweight, lighthearted, and liberal, but also surprisingly thoughtful