Unbroken is a gorgeously-photographed (by Roger Deakins), vividly-realized, authentic-feeling adaptation that nevertheless struggles to come to life
Behind the Candelabra presents a fascinating behind-the-scenes look into Liberace’s later years
Beautiful Creatures is mostly well done from a technical standpoint, with terrific widescreen lensing, sets and costumes
Water for Elephants is a beautiful film to look at, and director Francis Lawrence and cinematographer Rodrigo Prieto know it
Paris je t’aime (Paris, I Love You) is about as good as this kind of thing can get
P.S. I Love You comes manufactured to forcibly extract tears directly from the ocular cavities of its viewers