This lightweight thriller-comedy from writer-director Jon Watts only reaches a mild simmer, but a pair of engaging turns from its stars keep it watchable.
Sadness can be good, Inside Out tells us; that’s not the kind of thematic material we typically see in a children’s film
Argo is an incredible story, told with lean efficiency and expert craftsmanship, which is mighty good enough
Cars 2, a sequel to one of Pixar’s less memorable features, is the studio’s first outright dud
A Serious Man might be a little too subtle for mainstream tastes, pretentious and initially unsatisfying
Wildly imaginative, surprisingly dark and complex, Toy Story 3 ranks right up there with Pixar’s best films
There are a lot of good things about The Visitor, but one of the best may be the emergence of Jenkins