William Tell may not hit a bullseye, but with rousing action, a commanding lead, and an expertly-crafted apple-shot centerpiece, it still finds its mark.
Tessa Thompson and Chris Hemsworth bring some real vitality, and share genuine charisma, in this fourth Men in Black feature
Dinosaurs are hurled off cliffs, hunted, caged, auctioned off, gassed, and ultimately forgotten in this fifth entry in the Jurassic Park saga
The Big Short attempts to break down the ins and outs of the 2008 financial crisis for those of us who don’t know a CDO from a CDS
A fitting finale to director Edgar Wright’s trilogy, The World’s End is an inventively-told and frequently uproarious pub crawl
I Give it a Year charts the deterioration of a relationship, starting with minor quibbles and turning into some full-blown shouting matches
Ang Lee’s Life of Pi is a spellbinding journey that captures your attention and requests careful consideration
Prometheus, director Ridley Scott’s prequel to Alien, is a masterful mixture of brainy sci-fi ideology and splatter movie schlock
Was Shakespeare a fraud? Roland Emmerich’s Anonymous wastes no time in getting to the answer: yes
One Day is turgid, dull, dreary, and surprisingly unlikable, especially disappointing coming off the director’s previous film
Hot Fuzz is Edgar Wright’s hilarious and highly entertaining follow-up to Shaun of the Dead