This first-rate adaptation of Frank Herbert’s classic novel is truly a breathtaking vision, but feels abridged and unfinished.
J.J. Abrams trilogy capper is overstuffed and underplotted, and bound to irk fans of The Last Jedi without winning over diehards
This sequel to The Force Awakens zigs where that movie zagged, delivering some genuine surprises along the way
Director George Clooney’s latest film, from a Coen Brothers script, is not entirely successful but still worth seeing
It’s mutant vs. mutant when an Egyptian God is resurrected in this 1980s-set X-Men adventure
It’s official: this new Star Wars is the real-deal sequel we’ve been waiting for since Return of the Jedi
Ex Machina is a brilliantly conceived, thought-provoking piece of science fiction that puts its big budget contemporaries to shame
Beautifully shot and with an outstanding soundtrack, Inside Llewyn Davis ranks among the Coen Brothers’ greatest films.
The Bourne Legacy has a lot to live up to, coming off the heels of some of the most popular action movies of the past decade
The stars aligned for Drive, which features a dynamite cast, wonderful cinematography and set design, note-perfect music
Sucker Punch is just that. It’s an unbearable exercise in tedium that blindsides the audience, a pandering ComiCon fanboy disaster
Agora is set in Alexandria at the end of the fourth century A.D., when Christianity overtook other religions
Robin Hood is good-enough entertainment, made by capable filmmakers, tightly scripted by Brian Helgeland
Ridley Scott’s Body of Lies gets by on some strong performances and a surprisingly intricate, well-detailed story