Silent-era Hollywood is the place dreams are made of and a cesspool of human depravity in this masterpiece of American cinema.
After divisive reaction to the 2016 reboot, this straight-faced sequel to the 1980s movies overloads on the nostalgia to detrimental effect.
Love the Coopers is about a clan of curmudgeons so down-in-the-dumps that no amount of holiday cheer could bring a smile to their faces
Flatliners meets Re-Animator in The Lazarus Effect, a dull, plodding, but mercifully short horror film from Blumhouse
Her treats its lead character’s relationship with his operating system not as a strange or comic premise, but as an entirely realistic
Ron Howard’s Rush presents an authentic-feeling re-creation of the 1970s rivalry between Formula 1 drivers Niki Lauda and James Hunt
The Words is a film that is simultaneously not as clever as it thinks it is, and too clever for its own good
In Time may not be entirely convincing as science fiction, but it’s at least half-intelligent; it gets you thinking
Cowboys & Aliens does, indeed, feature both cowboys and aliens, but it doesn’t seem to know what to do with either of them
The Next Three Days scores no points for originality but it is a taut, reasonably compelling and adult thriller
TRON: Legacy is mesmerizing as as a two-hour music Daft Punk music video, a triumph of art design that’s fully captivating on style alone