Jackman plays a nostalgia dealer in a flooded Miami in this weird, wonderful, and dreadfully dull new feature from Lisa Joy
Self/Less, as written by Spanish filmmakers David and Àlex Pastor, is a pretty generic update of John Frankenheimer’s Seconds:
Allen Hughes’ Broken City shows all the telltale signs of post-production tampering, which has resulted in a choppy film full of loose ends
Acting is what elevates End of Watch from generic police drama into the realm of something special
Paul W.S. Anderson’s Death Race should please genre fans and represents a solid effort among the director’s oeuvre