A nutrition instructor develops a cult-like hold over her students in this arresting but inconsistent new film from director Jessica Hausner.
The second Reinhard Heydrich assassination film in as many years, released on the 75th anniversary of his death, falls just short of Anthropoid
Swashbuckling Alice must save The Mad Hatter from depression – by travelling through time – in this not-so-wonderful sequel
The most frightening thing in Crimson Peak is not a ghostly apparition or graphic bloody violence, but the majestic centerpiece of a set
Biting Hollywood-skewing satire meets David Cronenberg weirdness in Maps to the Stars, an occasionally vicious portrait of life in Beverly Hills
Richard Ayoade’s The Double creates a wonderfully bleak worldview filled with devilishly ironic circumstance
The vampire movie gets the Jim Jarmusch treatment in Only Lovers Left Alive, a too-hip-to-be-hip treatise on the undead
John Hillcoat’s Lawless, a prohibition-era drama about moonshiners, couldn’t be opening at a better time in the Czech Republic
Cary Fukunaga’s Jane Eyre is the kind of literate, refined production that might be more at home in a BBC miniseries
The Kids Are All Right is light sitcom-level entertainment, tame and dull and even, perhaps, unwittingly offensive in design
Alice in Wonderland for the Lord of the Rings/Chronicles of Narnia crowd, complete with a battlefield action climax