Despite an electric performance from Margaret Qualley, writer-director Ethan Coen’s solo feature is only a mildly amusing trifle.
Cillian Murphy stars as one of the key creators of the atomic bomb in this explosive three-hour epic that demands to be seen in the cinema.
Prague’s IMAX screen at Cinema City Flora will be just one of 30 locations worldwide to screen Oppenheimer in 70mm, director Christopher Nolan’s preferred format.
Tickets are now available to see the only 70mm IMAX screenings of Oppenheimer in continental Europe at Cinema City Flora in Prague.
Prague’s IMAX cinema will be the only one in continental Europe to screen the latest film from director Christopher Nolan in its intended format.
Damon plays the Nike exec who fought to sign Michael Jordan in this engaging story directed by co-star Affleck.
Chris Hemsworth and Natalie Portman are dueling Gods of Thunder in this sick and entertaining – but ultimately hollow – MCU adventure
Matt Damon and Adam Driver are bitter rivals in 14-Century France in this compelling story of the complexities of courage and honor
Christian Bale shines as driving legend Ken Miles in this first-rate production that rates alongside Rush as the best racing films ever made
Director George Clooney’s latest film, from a Coen Brothers script, is not entirely successful but still worth seeing
Director Taika Waititi injects some eccentric humor into the Marvel Universe, resulting in the best Thor movie to date
Matt Damon and Paul Greengrass bring some kinetic slam-bang energy back to the Bourne franchise
The Martian has a great cast, and a great cast of characters, and every angle here is carefully explained and understood
Christopher Nolan’s Interstellar, one of the most anticipated films of 2014, is not the masterpiece some may be expecting, but a rare visionary head-trip nonetheless
The Monuments Men tells the story of a handful of men who recovered artwork stolen by Nazis during WWII and their wartime efforts
Elysium is a whole lotta fun until a third act that gets a little too serious as it descends into the usual-usual
Behind the Candelabra presents a fascinating behind-the-scenes look into Liberace’s later years
We Bought a Zoo – Crowe’s first film since 2005’s Elizabethtown – is good-natured, agreeable, and even heartwarming
Contagion is one of the scariest films of 2011 – germaphobes watch at their own risk
The Adjustment Bureau is clean and competently made, centered around an intriguing Philip K. Dick premise
True Grit, a new western from the Coen Brothers, is more or less as good as Henry Hathaway’s 1969 original starring John Wayne
Geeen Zone is a dense and effective political thriller about the search for WMDs in newly-liberated 2003 Iraq
The Good Shepherd is richly detailed and expertly produced, if hellishly long and unbearably slow
Ultimatum is the best of the Bourne movies, cold and heartless like its subject but so intense and exciting that we often don´t have time to care