This slapdash, guerilla-style entry into the DCEU does everything right that Suicide Squad did wrong – apart from telling an engaging story
Stuck in production hell for over 20 years, the technology has caught up to Ang Lee’s thriller, but the story is lost in the past
The Cloverfield connection is a stretch, but this nifty little thriller delivers on its own terms
A Good Day to Die Hard only resembles the earlier films with a few token nods; otherwise, it feels like direct-to-DVD junk
Abraham Lincoln: Vampire Hunter presents its story of Honest Abe hunting down vamps straight-faced almost all the way
There’s a lot to like in The Thing, which has been marketed as a remake of the 1982 John Carpenter film but is actually a prequel
Scott Pilgrim vs. the World boasts an exhilarating visual style and inventive cinematic language: this is fresh, this is new
The Flashdance-inspired Make It Happen is an embarrassing, poorly choreographed and atrociously edited dance drama
After being separated into 2 movies for its initial release, Grindhouse is now screening in its intended form for Czech audiences
Factory Girl is a well-intentioned but tepid and underdeveloped look at Edie Sedgwick, whose life came to an untimely end at age 28.
Surprisingly, Tarantino´s Death Proof is a better standalone film than what was presented in Grindhouse
Live Free or Die Hard might disappoint die-hard fans of the series, but entertains on a grand scale
This Black Christmas is a completely unpleasant remake and an insult to Bob Clark´s 1974 version