Neeson stars as a man who has a bomb under his seat in this over-the-top thriller from the director of Predators and Metallica: Through the Never
Neeson makes for a solid Philip Marlowe in this great-looking but ultimately unengaging update of the Raymond Chandler mysteries.
Neeson stars as an ice road trucker hauling a wellhead to save trapped miners across the frozen Canadian wild in this fun new thriller
Tessa Thompson and Chris Hemsworth bring some real vitality, and share genuine charisma, in this fourth Men in Black feature
This scene-for-scene remake of In Order of Disappearance from original director Hans Petter Moland might be even better than the original
This absurd thriller makes just enough sense to keep you watching, but not enough to become satisfying
This comedy sequel gets a big boost with the introduction of grandfather characters played by Mel Gibson and John Lithgow
Just what you’ve been waiting for: a sequel to Snow White, minus Snow White and the Seven Dwarfs
Seth MacFarlane’s talking bear is back in Ted 2, an intermittently uproarious comedy that lumbers to an ungainly 115-minute running time
These are vapid, vacuous, arrogant and selfish men, driven by the most basic desires, and Entourage is the male equivalent of Sex and the City
Run All Night doesn’t reinvent the Liam Neeson thriller genre but nevertheless provides an engaging enough ride
Liam Neeson is back in action as retired ex-covert operative Bryan Mills in Taken 3, a preposterous but entertaining sequel
While A Walk Among the Tombstones isn’t as exciting as The Equalizer or John Wick, it’s still the class of this fall’s revenge movie crowd
There’s just one problem with Seth MacFarlane’s A Million Ways to Die in the West: it isn’t very funny
Non-Stop is a good old-fashioned B-movie thriller updated with modern technology and post-9/11 air travel commentary
Taken 2 bows with a simultaneous worldwide release that reeks of cash grab: get in, get out, and forget about Taken 3
The Dark Knight Rises is Christopher Nolan’s highly-anticipated follow-up to The Dark Knight and final chapter in his Batman trilogy
Battleship features gung-ho patriotism, a simplistic save-the-world storyline, and a giant, morphing alien threat
Wrath of the Titans is a sequel to 2010’s Clash of the Titans, itself a remake of the 1981 film of the same name
The Grey is a raw, gritty, and surprisingly poetic tale of survival in the Alaskan wilderness that recalls stories by Jack London
Phantom Menace is big, sprawling, and visionary, and while it can’t hope to live up to the original trilogy it still has plenty to like
Unknown starts things off with an intriguing premise and ends with a preposterous but half-satisfying conclusion
The Next Three Days scores no points for originality but it is a taut, reasonably compelling and adult thriller
The ADD-inflected A-Team delivers intercuts the setup and payoff for almost all its big action sequences at the exactly same time,