
‘The Face of an Angel’ movie review: Cara Delevingne in Amanda Knox diatribe
The Face of an Angel is an incredibly misguided, positively excruciating experience to watch unfold on the screen
The Face of an Angel is an incredibly misguided, positively excruciating experience to watch unfold on the screen
Stonehearst Asylum is an enjoyably old-fashioned piece of horror filmmaking, though it won’t hold many surprises for astute viewers
Total Recall is doubly disappointing when compared to the 1990 Paul Verhoeven film and the original Philip K. Dick short story
Baltasar Kormákur’s Contraband lacks any kind of ambition but gets the job done as a B-movie caper flick with the cast to match
Underworld: Awakening returns the series to its roots, with Kate Beckinsale in the lead and an elevated level of tedium
Everybody’s Fine is competently shot and directed and put together, and front and center is a pretty good performance by Robert De Niro