This Noah Baumbach dramedy feels a little more detached from its characters than the industry insider film it perhaps should have been.
Jim Broadbent, Sally Hawkins, and Maggie Smith co-star in the adaptation of the Matt Haig novel from director Gil Kenan
The King of the Jungle returns to Africa to fight slavery in this misguided mashup of Tarzan and Blood Diamond
Saoirse Ronan is an Irish immigrant in 1950s New York City in this gentle, good-natured, Oscar-nominated drama
When you cast Samuel L. Jackson as the President of the United States, you’re promising something that Big Game completely fails to deliver.
Filth, from the unfilmable novel by Irvine Welsh, is the scummiest, most depressing Christmas movie you’ll ever see
Cloud Atlas is a bold and ambitious piece of filmmaking that demands to be seen and analyzed, and reseen and reanalyzed
Streep took home an Oscar for a particularly bland and passionless role that fails to capture the essence of the iconic politician
Harry Potter and the Deathly Hallows: Part 2 is a wholly satisfying conclusion to the decade-long Harry Potter franchise
Mike Leigh lends a steady hand and a careful eye and ear to Another Year, a tone-perfect, life-affirming film that ranks among his best work
Harry Potter and the Half-Blood Prince is a much tighter, carefully constructed, leisurely-but-fluidly paced adaptation of the J.K. Rowling books
Ignore the cynics: Indiana Jones and the Kingdom of the Crystal Skull is a film for pulp lovers, a throwback to old Republic serials and Errol Flynn adventures
Hot Fuzz is Edgar Wright’s hilarious and highly entertaining follow-up to Shaun of the Dead