Corey Hawkins encounters more than he bargained for on a trip from Bulgaria to London that just happens to be carrying the Prince of Darkness.
A now-adult Losers’ Club returns to Derry to face Pennywise in this sequel that matches the original in overall quality, and tacks on an extra hour of running time
The Warrens investigate the Enfield Poltergeist in this scarifying haunted house sequel
The Revenant is a poor retelling of the fascinating true story of Hugh Glass, a completely un-faithful adaptation of its source novel
The most frightening thing in Crimson Peak is not a ghostly apparition or graphic bloody violence, but the majestic centerpiece of a set
Mama is an exceptionally well-crafted piece of work, nicely shot (by Antonio Riestra) and scripted (by Neil Cross and the director)