This one never deviates from the usual John Wick formula, but committed work from lead Jason Statham keeps it firing on all cylinders despite a lengthy runtime.
This low-budget UK indie ultimately fails to satisfy as either a traditional action movie or as deeper rumination on Stoic philosophy.
The adaptation of Alan Moore’s graphic novel, filmed in Prague in 2002, ended the careers of star Sean Connery and director Stephen Norrington.
Overlooking some third-rate CGI effects, this densely-plotted adventure and sequel to 2014’s Forbidden Empire is fun for young audiences
Stonehearst Asylum is an enjoyably old-fashioned piece of horror filmmaking, though it won’t hold many surprises for astute viewers
X-Men: Days of Future Past is a a great-looking sequel that exhibits genuine feel for its comic book origins and brings a whole lotta fun
I Give it a Year charts the deterioration of a relationship, starting with minor quibbles and turning into some full-blown shouting matches
Great Expectations starts out just fine but soon devolves into a routine production that seems less vested in telling the Dickens story
Hanna litters the road with a number of subtle pop culture references, dark humor, and just a slightly twisted sensibility
It takes some gumption to title your film First Class, but that’s exactly what Matthew Vaughn has delivered with his dynamite X-Men prequel
Solomon Kane is a good-enough sword-and-sorcery tale, brutal and moody and atmospheric
The one real problem with this Clash of the Titans is the script, which suffers from that big-budget too-many-cooks-in-the-kitchen syndrome
David Fincher’s The Curious Case of Benjamin Button is a strange film with a strange premise
Like most recent Hollywood horror films, Alexandre Aja’s Mirrors is based on a successful Asian chiller
Stardust entertains due to the multitude of left-field elements Neil Gaiman throws into his story