Movie Review: Mad Max Knockoff ‘Future World’ a Wasteland Slog
In the spirit of low-budget Road Warrior ripoffs of the 80s, here’s a slick new version that achieves roughly the same effect
May 27, 2018
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In the spirit of low-budget Road Warrior ripoffs of the 80s, here’s a slick new version that achieves roughly the same effect
This sequel to Prometheus throws in a lot more Alien action, and backstory explanation, to little effect
These aren’t your parents animated food products, but the one-joke premise of naughty hot dogs and buns soon wears thin
The apocalypse comes to Hollywood in the uproariously funny This is the End, which pits a star-studded cast against the rapture
Lovelace is a biography of Deep Throat star Linda Lovelace from directors Rob Epstein and Jeffrey Friedman (Howl)
You gotta love the cruel joke Spring Breakers will pull on unsuspecting audiences looking for disposable teen-friendly entertainment
Oz: The Great and Powerful feels awash in a computer-generated wasteland once the story moves to the titular kingdom
Rise of the Planet of the Apes is a near-great film that ultimately settles for being merely good
Your Highness is a medieval fantasy-comedy with a $50 million budget and overdose of infantile humor
127 Hours is the fascinating true story of Aron Ralston, a mechanical engineer and adventurer who went hiking alone and got stuck in a canyon
Howl tries to capture many diverse scenes in the life of poet Allen Ginsberg, played by James Franco
Eat Pray Love is one of the most excruciatingly torturous cinematic experience in recent memory
Milk certainly isn’t sour, though the traditional Hollywood biopic material is often underwhelming
Nights in Rodanthe breaks no new ground but should please lonely hearts and fans of the star duo
In the Valley of Elah is an investigative drama that doesn’t quite reach the aspirations of its true-life story
Spider-Man 3 is charged entertainment that perfectly and authentically replicates its comic-book origins