Jackman plays a nostalgia dealer in a flooded Miami in this weird, wonderful, and dreadfully dull new feature from Lisa Joy
Hugh Jackman’s ninth, and perhaps last, X-Men film is his best yet
It’s mutant vs. mutant when an Egyptian God is resurrected in this 1980s-set X-Men adventure
Pan, a CGI-fueled departure for director Joe Wright, is one of the strangest $150 million blockbusters ever to hit the screen
Chappie is the latest piece of thoughtful science fiction filmmaking from District 9 director Neill Blomkamp
Night at the Museum: Secret of the Tomb is a bright and busy sequel that represents a step up from the previous installment
X-Men: Days of Future Past is a a great-looking sequel that exhibits genuine feel for its comic book origins and brings a whole lotta fun
Prisoners is at its best when challenging its audience: the lines between right and wrong are continuously blurred
James Mangold’s The Wolverine is a surprisingly straightforward, well-defined and even (at times) low-key picture
A movie version of the Les Misérables has been rumored ever since the musical hit it big in the late 1980s, but has only now come to fruition
Movie 43, a parade of Saturday Night Live-style skits that intends to shock you with poor taste, is missing just one thing: the jokes
Real Steel is based on a short story by Richard Matheson, which was previously made into a memorable Twilight Zone episode
X-Men Origins: Wolverine is about as unwieldy as its title: it’s a big, sprawling mess of summer blockbuster, but lovable just the same
Australia falls on all counts to do justice to its titular country as it turns in an embarrassingly crude apology
The Fountain is a a magical, mystical, spiritual, and intimate film that tackles subjects no less than life and death and the nature of our existence in this world