Some campy practical creature effects and efficient low-budget filmmaking from director Stephen C. Miller keep Werewolves from being too much of a drag.
In a sea of formulaic zombie movies, this horror film with Carrie-Anne Moss and Douglas Smith is a gem that breaks the mold and deserves to find an audience.
Grillo plays a father who murders everyone in his way to save his daughter in this violent but ultimately unconvincing cartel thriller.
While the lead characters generate little interest, some colorful supporting turns liven up this by-the-numbers thriller
This by-the-numbers sequel to the 2019 hit lacks a compelling story, but the cast keeps it light and fun
A team of gung-ho Earth soldiers plots to destroy an alien race in this braindead new sci-fi action movie
This may (or may not) be the best film in the Marvel Cinematic Universe yet, but it is undoubtedly the one all 21 previous films have been leading up to
It’s Avenger against Avenger in this superhero smash-up that pits the Captain and co. against Iron Man and the UN
The Purge: Anarchy is unquestionably better than the first, and individual scenes of suspense and action work just fine in their own B-movie way
Captain America: The Winter Soldier bests the first Captain America film in most storytelling regards – including plot, pacing, and story development
Gangster Squad is a high-profile, high-energy, overdone and undercooked version of a purportedly true story
Acting is what elevates End of Watch from generic police drama into the realm of something special
The Grey is a raw, gritty, and surprisingly poetic tale of survival in the Alaskan wilderness that recalls stories by Jack London
Wes Craven’s My Soul to Take is an entirely watchable – but by no means remarkable – teen slasher film mixed with Scooby Doo mystery
In Edge of Darkness, director Martin Campbell returns to familiar ground: his well-regarded 1985 BBC miniseries.