This frustratingly blunt and toothless satire is glossy, occasionally amusing, but ultimately unable to bridge the gender gap.
This Noah Baumbach dramedy feels a little more detached from its characters than the industry insider film it perhaps should have been.
Hugo, which is set in 1930s Paris, has been endlessly referred to as director Martin Scorsese’s “love letter to the movies”
Cars 2, a sequel to one of Pixar’s less memorable features, is the studio’s first outright dud
Shutter Island is a maddening film, an exquisitely made but frustratingly generic thriller that only eventually rises above its source material
The Pink Panther 2 is an improvement over the much-despised 2006 movie, with some talented players and clever dialogue
Paris je t’aime (Paris, I Love You) is about as good as this kind of thing can get