‘Top Gun: Maverick’ movie review: belated Tom Cruise sequel soars to the skies
This high-flying sequel scores a bullseye in the action-adventure department while providing unexpectedly touching storyline
This high-flying sequel scores a bullseye in the action-adventure department while providing unexpectedly touching storyline
This SyFy-level disaster movie inexplicably unleashed in cinemas worldwide is missing the graceful touch of Roland Emmerich
This new film from the director of Black Swan and Requiem for a Dream abandons a compelling story in favor of heavy-handed metaphor
Run All Night doesn’t reinvent the Liam Neeson thriller genre but nevertheless provides an engaging enough ride
Alfonso Cuarón’s Gravity is a real wow, combining ground-breaking space-age f/x with a straightforward B-movie survival plot
Pain & Gain is a nasty, inherently unlikable little piece of work that distances itself from its audience through both style and content
Man on a Ledge works, to the extent it does, by obscuring its plot as long as it can, for about half of the movie.
Peter Weir’s The Way Back is a great story, well-told, presenting a grueling experience in a respectable but palatable manner
National Treasure: Book of Secrets reteams much of the cast and crew of the 2004’s National Treasure for virtually the same film
Copying Beethoven features a vigorous, over-the-top performance by Ed Harris and a virtuoso Ninth Symphony sequence