The plotting and execution of a Met Gala grab is the prime focus in this surprisingly on-point heist movie that matches – or even surpasses – its predecessors
Hope Springs doesn’t really fully explore its central concept, but two terrific central performances help boost this into above-average territory
The Good Heart is about as unsubtle as (bad) silent melodrama, and within minutes it reaches an undesirable crescendo
Everybody’s Fine is competently shot and directed and put together, and front and center is a pretty good performance by Robert De Niro
In Edge of Darkness, director Martin Campbell returns to familiar ground: his well-regarded 1985 BBC miniseries.